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<Header><Sender><SenderName>unglue.it</SenderName><EmailAddress>unglueit@ebookfoundation.org</EmailAddress></Sender><SentDateTime>20260622T193853Z</SentDateTime><MessageNote>Unglue.it eBooks available in format: epub license: Creative Commons Attribution-ShareAlike</MessageNote></Header><Product><RecordReference>it.unglue.work.136845.214339</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214339</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781938616013</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>A Byte of Python</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Swaroop C H</PersonName><PersonNameInverted>H, Swaroop C</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Nonfiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Python (Computer program language)</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Software</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>"A Byte of Python" is a free book on programming using the Python language. It serves as a tutorial or guide to the Python language for a beginner audience. If all you know about computers is how to save text files, then this is the book for you.<br/><br/>
In Dec 2008, the book was updated for the Python 3.0 release (one of the first books to do so). But now, I have converted the book back for Python 2 language because readers would often get confused between the default Python 2 installed on their systems vs. Python 3 which they had to separately install and all the tooling, esp. editors would assume Python 2 as well. I had a hard time justifying why I had to aggravate readers and make them go through all this when the fact is that they can learn either one and it would be just as useful. So, Python 2 it is.<br/><br/>Listed by <a href="https://unglue.it/work/136845/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/3a/b4/3ab4ee79c0b4179e2d334f018c1ccf65.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>201404</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/1244/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136845.214339</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214339</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781938616013</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>A Byte of Python</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Swaroop C H</PersonName><PersonNameInverted>H, Swaroop C</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Nonfiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Python (Computer program language)</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Software</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>"A Byte of Python" is a free book on programming using the Python language. It serves as a tutorial or guide to the Python language for a beginner audience. If all you know about computers is how to save text files, then this is the book for you.<br/><br/>
In Dec 2008, the book was updated for the Python 3.0 release (one of the first books to do so). But now, I have converted the book back for Python 2 language because readers would often get confused between the default Python 2 installed on their systems vs. Python 3 which they had to separately install and all the tooling, esp. editors would assume Python 2 as well. I had a hard time justifying why I had to aggravate readers and make them go through all this when the fact is that they can learn either one and it would be just as useful. So, Python 2 it is.<br/><br/>Listed by <a href="https://unglue.it/work/136845/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/3a/b4/3ab4ee79c0b4179e2d334f018c1ccf65.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>201404</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/1244/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136845.214339</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214339</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781938616013</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>A Byte of Python</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Swaroop C H</PersonName><PersonNameInverted>H, Swaroop C</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Nonfiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Python (Computer program language)</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Software</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>"A Byte of Python" is a free book on programming using the Python language. It serves as a tutorial or guide to the Python language for a beginner audience. If all you know about computers is how to save text files, then this is the book for you.<br/><br/>
In Dec 2008, the book was updated for the Python 3.0 release (one of the first books to do so). But now, I have converted the book back for Python 2 language because readers would often get confused between the default Python 2 installed on their systems vs. Python 3 which they had to separately install and all the tooling, esp. editors would assume Python 2 as well. I had a hard time justifying why I had to aggravate readers and make them go through all this when the fact is that they can learn either one and it would be just as useful. So, Python 2 it is.<br/><br/>Listed by <a href="https://unglue.it/work/136845/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/3a/b4/3ab4ee79c0b4179e2d334f018c1ccf65.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>201404</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/1244/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.145808.227031</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>227031</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781499578737</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Affair</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Nick Stokes</PersonName><PersonNameInverted>Stokes, Nick</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Man-woman relationships in fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Postmodernism</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Surrealism</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Affair is a novel by Nick Stokes. A man who collects sticks and gathers stones has an affair with a woman in the woods and struggles to return to his wife. An author writes about a man having an affair in order to destroy the man and discover who he is. The two stories are woven and inextricable. 
<br/><br/>
Affair is influenced by magical-realism, surrealism, absurdism, postmodernism, modernism, post-postmodernism, premodernism, realism, organisms, and ismism. 
<br/><br/>
This is the version from <a href="http://www.seattlestar.net/2014/04/weekly-e-book-affair-the-novel/">The Seattle Star</a>.  It preserves the original serialization, including "chapter" breaks and titles. More info, including links to buy, at <a href="http://www.nickstokes.net/">nickstokes.net</a>.<br/><br/>Listed by <a href="https://unglue.it/work/145808/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/9d/f4/9df458f4eae34500bf08a154253c6c55.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>The Seattle Star</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/2857/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.145808.227031</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>227031</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781499578737</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Affair</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Nick Stokes</PersonName><PersonNameInverted>Stokes, Nick</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Man-woman relationships in fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Postmodernism</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Surrealism</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Affair is a novel by Nick Stokes. A man who collects sticks and gathers stones has an affair with a woman in the woods and struggles to return to his wife. An author writes about a man having an affair in order to destroy the man and discover who he is. The two stories are woven and inextricable. 
<br/><br/>
Affair is influenced by magical-realism, surrealism, absurdism, postmodernism, modernism, post-postmodernism, premodernism, realism, organisms, and ismism. 
<br/><br/>
This is the version from <a href="http://www.seattlestar.net/2014/04/weekly-e-book-affair-the-novel/">The Seattle Star</a>.  It preserves the original serialization, including "chapter" breaks and titles. More info, including links to buy, at <a href="http://www.nickstokes.net/">nickstokes.net</a>.<br/><br/>Listed by <a href="https://unglue.it/work/145808/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/9d/f4/9df458f4eae34500bf08a154253c6c55.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>The Seattle Star</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/2857/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.145808.227031</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>227031</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781499578737</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Affair</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Nick Stokes</PersonName><PersonNameInverted>Stokes, Nick</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Man-woman relationships in fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Postmodernism</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Surrealism</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Affair is a novel by Nick Stokes. A man who collects sticks and gathers stones has an affair with a woman in the woods and struggles to return to his wife. An author writes about a man having an affair in order to destroy the man and discover who he is. The two stories are woven and inextricable. 
<br/><br/>
Affair is influenced by magical-realism, surrealism, absurdism, postmodernism, modernism, post-postmodernism, premodernism, realism, organisms, and ismism. 
<br/><br/>
This is the version from <a href="http://www.seattlestar.net/2014/04/weekly-e-book-affair-the-novel/">The Seattle Star</a>.  It preserves the original serialization, including "chapter" breaks and titles. More info, including links to buy, at <a href="http://www.nickstokes.net/">nickstokes.net</a>.<br/><br/>Listed by <a href="https://unglue.it/work/145808/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/9d/f4/9df458f4eae34500bf08a154253c6c55.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>The Seattle Star</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/2857/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.465704.629311</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>629311</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9783662620137</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Agiles Lernen im Unternehmen</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Jörg Longmuß</PersonName><PersonNameInverted>Longmuß, Jörg</PersonNameInverted></Contributor><Contributor><SequenceNumber>2</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Gabriele Korge</PersonName><PersonNameInverted>Korge, Gabriele</PersonNameInverted></Contributor><Contributor><SequenceNumber>3</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Agnes Bauer</PersonName><PersonNameInverted>Bauer, Agnes</PersonNameInverted></Contributor><Contributor><SequenceNumber>4</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Benjamin Höhne</PersonName><PersonNameInverted>Höhne, Benjamin</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>ger</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agile Methoden</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agile Methoden der Projektarbeit</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agiles Lernen</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Betriebliche Kompetenzentwicklung</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Bildungsarbeit</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Business &amp; 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management techniques</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Management of specific areas</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Mediengestütztes Lernen</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>open access</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Organisationsentwicklung</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Personalentwicklung</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Persönliche Entwicklung</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Project management</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>scrum</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Society &amp; Social Sciences</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Technology, engineering, agriculture</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Technology: general issues</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::J Society and Social Sciences::JN Education</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management::KJM Management and management techniques::KJMP Project management</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Weiterbildung 4.0</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p>Dieses Open Access-Buch zeigt, dass Kompetenzentwicklung im Unternehmen so flexibel und innovativ sein kann, wie es die Arbeit oft schon ist. Der Ansatz „Agiles Lernen im Unternehmen“ wendet agile Methoden auf die betriebliche Weiterbildung an. Beschäftigte entwickeln neue Kompetenzen direkt im Arbeitsumfeld, die Herangehensweise ist dynamisch und kann im Verlauf des Lernens sich wandelnden Anforderungen und Rahmenbedingungen angepasst werden. Fachliche und methodische Begleiter unterstützen das Lernen und richten es am Bedarf des Unternehmens aus. Das Buch stellt Agiles Lernen im Unternehmen umfassend dar: Der erste Teil beschreibt den Hintergrund und das Vorgehen im Einzelnen. Im zweiten Teil werden sieben ausgewählte agile Lernprojekte aus sehr unterschiedlichen Unternehmen vorgestellt. Der dritte Teil behandelt übergreifende Themen zu Gestaltung, Organisation und Perspektive des agilen Lernens. Es lädt dazu ein, den Ansatz selbst auszuprobieren.</p>
<p>Die Herausgeber</p>
<p>Dr. Jörg Longmuß ist Maschinenschlosser, Ingenieur für Konstruktionstechnik und Erziehungswissenschaftler. Seine Schwerpunkte sind Nachhaltigkeit in Produktentstehung und betrieblicher Weiterbildung. Er ist Vorstand bei Sustainum – Institut für zukunftsfähiges Wirtschaften Berlin. Gabriele Korge ist gelernte Nachrichtentechnische Assistentin und Soziologin M.A. Ihre Schwerpunkte sind Organisationsentwicklung, Kompetenzmanagement und betriebliche Weiterbildung. Sie ist wissenschaftliche Mitarbeiterin beim Fraunhofer-Institut für Arbeitswirtschaft und Organisation IAO Stuttgart. Agnes Bauer ist Diplom-Psychologin. Am TransferZentrum für Neurowissenschaften und Lernen der Universität Ulm hat sie über zwölf Jahre zu betrieblichem Lernen und zu Lernen in informellen Kontexten geforscht sowie Lernkonzepte entwickelt und evaluiert. Dr. Benjamin Höhne ist Diplom-Psychologe und arbeitet als Projektkoordinator am Fernstudieninstitut der Beuth Hochschule für Technik Berlin sowie als Coach für agile Lernprojekte in verschiedenen Netzwerken zum Themenbereich digitale Kompetenzen.</p><br/><br/>Listed by <a href="https://unglue.it/work/465704/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/84/a8/84a83a0405f8d1fcdf9fe6e40d4bc57e.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Springer</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2021</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/272814/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.465704.629311</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>629311</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9783662620137</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Agiles Lernen im Unternehmen</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Jörg Longmuß</PersonName><PersonNameInverted>Longmuß, Jörg</PersonNameInverted></Contributor><Contributor><SequenceNumber>2</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Gabriele Korge</PersonName><PersonNameInverted>Korge, Gabriele</PersonNameInverted></Contributor><Contributor><SequenceNumber>3</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Agnes Bauer</PersonName><PersonNameInverted>Bauer, Agnes</PersonNameInverted></Contributor><Contributor><SequenceNumber>4</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Benjamin Höhne</PersonName><PersonNameInverted>Höhne, Benjamin</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>ger</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agile Methoden</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agile Methoden der Projektarbeit</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agiles Lernen</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Betriebliche Kompetenzentwicklung</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Bildungsarbeit</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Business &amp; 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Social Sciences</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Technology, engineering, agriculture</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Technology: general issues</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::J Society and Social Sciences::JN Education</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management::KJM Management and management techniques::KJMP Project management</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Weiterbildung 4.0</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p>Dieses Open Access-Buch zeigt, dass Kompetenzentwicklung im Unternehmen so flexibel und innovativ sein kann, wie es die Arbeit oft schon ist. Der Ansatz „Agiles Lernen im Unternehmen“ wendet agile Methoden auf die betriebliche Weiterbildung an. Beschäftigte entwickeln neue Kompetenzen direkt im Arbeitsumfeld, die Herangehensweise ist dynamisch und kann im Verlauf des Lernens sich wandelnden Anforderungen und Rahmenbedingungen angepasst werden. Fachliche und methodische Begleiter unterstützen das Lernen und richten es am Bedarf des Unternehmens aus. Das Buch stellt Agiles Lernen im Unternehmen umfassend dar: Der erste Teil beschreibt den Hintergrund und das Vorgehen im Einzelnen. Im zweiten Teil werden sieben ausgewählte agile Lernprojekte aus sehr unterschiedlichen Unternehmen vorgestellt. Der dritte Teil behandelt übergreifende Themen zu Gestaltung, Organisation und Perspektive des agilen Lernens. Es lädt dazu ein, den Ansatz selbst auszuprobieren.</p>
<p>Die Herausgeber</p>
<p>Dr. Jörg Longmuß ist Maschinenschlosser, Ingenieur für Konstruktionstechnik und Erziehungswissenschaftler. Seine Schwerpunkte sind Nachhaltigkeit in Produktentstehung und betrieblicher Weiterbildung. Er ist Vorstand bei Sustainum – Institut für zukunftsfähiges Wirtschaften Berlin. Gabriele Korge ist gelernte Nachrichtentechnische Assistentin und Soziologin M.A. Ihre Schwerpunkte sind Organisationsentwicklung, Kompetenzmanagement und betriebliche Weiterbildung. Sie ist wissenschaftliche Mitarbeiterin beim Fraunhofer-Institut für Arbeitswirtschaft und Organisation IAO Stuttgart. Agnes Bauer ist Diplom-Psychologin. Am TransferZentrum für Neurowissenschaften und Lernen der Universität Ulm hat sie über zwölf Jahre zu betrieblichem Lernen und zu Lernen in informellen Kontexten geforscht sowie Lernkonzepte entwickelt und evaluiert. Dr. Benjamin Höhne ist Diplom-Psychologe und arbeitet als Projektkoordinator am Fernstudieninstitut der Beuth Hochschule für Technik Berlin sowie als Coach für agile Lernprojekte in verschiedenen Netzwerken zum Themenbereich digitale Kompetenzen.</p><br/><br/>Listed by <a href="https://unglue.it/work/465704/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/84/a8/84a83a0405f8d1fcdf9fe6e40d4bc57e.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Springer</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2021</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/272814/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.465704.629311</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>629311</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9783662620137</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Agiles Lernen im Unternehmen</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Jörg Longmuß</PersonName><PersonNameInverted>Longmuß, Jörg</PersonNameInverted></Contributor><Contributor><SequenceNumber>2</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Gabriele Korge</PersonName><PersonNameInverted>Korge, Gabriele</PersonNameInverted></Contributor><Contributor><SequenceNumber>3</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Agnes Bauer</PersonName><PersonNameInverted>Bauer, Agnes</PersonNameInverted></Contributor><Contributor><SequenceNumber>4</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Benjamin Höhne</PersonName><PersonNameInverted>Höhne, Benjamin</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>ger</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agile Methoden</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agile Methoden der Projektarbeit</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agiles Lernen</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Betriebliche Kompetenzentwicklung</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Bildungsarbeit</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Business &amp; 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Der Ansatz „Agiles Lernen im Unternehmen“ wendet agile Methoden auf die betriebliche Weiterbildung an. Beschäftigte entwickeln neue Kompetenzen direkt im Arbeitsumfeld, die Herangehensweise ist dynamisch und kann im Verlauf des Lernens sich wandelnden Anforderungen und Rahmenbedingungen angepasst werden. Fachliche und methodische Begleiter unterstützen das Lernen und richten es am Bedarf des Unternehmens aus. Das Buch stellt Agiles Lernen im Unternehmen umfassend dar: Der erste Teil beschreibt den Hintergrund und das Vorgehen im Einzelnen. Im zweiten Teil werden sieben ausgewählte agile Lernprojekte aus sehr unterschiedlichen Unternehmen vorgestellt. Der dritte Teil behandelt übergreifende Themen zu Gestaltung, Organisation und Perspektive des agilen Lernens. Es lädt dazu ein, den Ansatz selbst auszuprobieren.</p>
<p>Die Herausgeber</p>
<p>Dr. Jörg Longmuß ist Maschinenschlosser, Ingenieur für Konstruktionstechnik und Erziehungswissenschaftler. Seine Schwerpunkte sind Nachhaltigkeit in Produktentstehung und betrieblicher Weiterbildung. Er ist Vorstand bei Sustainum – Institut für zukunftsfähiges Wirtschaften Berlin. Gabriele Korge ist gelernte Nachrichtentechnische Assistentin und Soziologin M.A. Ihre Schwerpunkte sind Organisationsentwicklung, Kompetenzmanagement und betriebliche Weiterbildung. Sie ist wissenschaftliche Mitarbeiterin beim Fraunhofer-Institut für Arbeitswirtschaft und Organisation IAO Stuttgart. Agnes Bauer ist Diplom-Psychologin. Am TransferZentrum für Neurowissenschaften und Lernen der Universität Ulm hat sie über zwölf Jahre zu betrieblichem Lernen und zu Lernen in informellen Kontexten geforscht sowie Lernkonzepte entwickelt und evaluiert. 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management</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Didactics and Teaching Methodology</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Economics, finance, business &amp; management</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>EDU000000</SubjectCode><SubjectHeadingText>Education</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Education, general</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Engineering: general</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Industrial management</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Kontinuierliches Lernen</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Lernen in der Arbeit</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Management &amp; 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Social Sciences</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Technology, engineering, agriculture</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Technology: general issues</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::J Society and Social Sciences::JN Education</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management::KJM Management and management techniques::KJMP Project management</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Weiterbildung 4.0</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p>Dieses Open Access-Buch zeigt, dass Kompetenzentwicklung im Unternehmen so flexibel und innovativ sein kann, wie es die Arbeit oft schon ist. Der Ansatz „Agiles Lernen im Unternehmen“ wendet agile Methoden auf die betriebliche Weiterbildung an. Beschäftigte entwickeln neue Kompetenzen direkt im Arbeitsumfeld, die Herangehensweise ist dynamisch und kann im Verlauf des Lernens sich wandelnden Anforderungen und Rahmenbedingungen angepasst werden. Fachliche und methodische Begleiter unterstützen das Lernen und richten es am Bedarf des Unternehmens aus. Das Buch stellt Agiles Lernen im Unternehmen umfassend dar: Der erste Teil beschreibt den Hintergrund und das Vorgehen im Einzelnen. Im zweiten Teil werden sieben ausgewählte agile Lernprojekte aus sehr unterschiedlichen Unternehmen vorgestellt. Der dritte Teil behandelt übergreifende Themen zu Gestaltung, Organisation und Perspektive des agilen Lernens. Es lädt dazu ein, den Ansatz selbst auszuprobieren.</p>
<p>Die Herausgeber</p>
<p>Dr. Jörg Longmuß ist Maschinenschlosser, Ingenieur für Konstruktionstechnik und Erziehungswissenschaftler. Seine Schwerpunkte sind Nachhaltigkeit in Produktentstehung und betrieblicher Weiterbildung. Er ist Vorstand bei Sustainum – Institut für zukunftsfähiges Wirtschaften Berlin. Gabriele Korge ist gelernte Nachrichtentechnische Assistentin und Soziologin M.A. Ihre Schwerpunkte sind Organisationsentwicklung, Kompetenzmanagement und betriebliche Weiterbildung. Sie ist wissenschaftliche Mitarbeiterin beim Fraunhofer-Institut für Arbeitswirtschaft und Organisation IAO Stuttgart. Agnes Bauer ist Diplom-Psychologin. Am TransferZentrum für Neurowissenschaften und Lernen der Universität Ulm hat sie über zwölf Jahre zu betrieblichem Lernen und zu Lernen in informellen Kontexten geforscht sowie Lernkonzepte entwickelt und evaluiert. Dr. Benjamin Höhne ist Diplom-Psychologe und arbeitet als Projektkoordinator am Fernstudieninstitut der Beuth Hochschule für Technik Berlin sowie als Coach für agile Lernprojekte in verschiedenen Netzwerken zum Themenbereich digitale Kompetenzen.</p><br/><br/>Listed by <a href="https://unglue.it/work/465704/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/84/a8/84a83a0405f8d1fcdf9fe6e40d4bc57e.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Springer</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2021</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/272814/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.465704.629311</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>629311</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9783662620137</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Agiles Lernen im Unternehmen</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Jörg Longmuß</PersonName><PersonNameInverted>Longmuß, Jörg</PersonNameInverted></Contributor><Contributor><SequenceNumber>2</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Gabriele Korge</PersonName><PersonNameInverted>Korge, Gabriele</PersonNameInverted></Contributor><Contributor><SequenceNumber>3</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Agnes Bauer</PersonName><PersonNameInverted>Bauer, Agnes</PersonNameInverted></Contributor><Contributor><SequenceNumber>4</SequenceNumber><ContributorRole>B01</ContributorRole><PersonName>Benjamin Höhne</PersonName><PersonNameInverted>Höhne, Benjamin</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>ger</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agile Methoden</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agile Methoden der Projektarbeit</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Agiles Lernen</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Betriebliche Kompetenzentwicklung</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Bildungsarbeit</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Business &amp; 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management techniques</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Management of specific areas</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Mediengestütztes Lernen</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>open access</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Organisationsentwicklung</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Personalentwicklung</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Persönliche Entwicklung</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Project management</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>scrum</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Society &amp; Social Sciences</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Technology, engineering, agriculture</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Technology: general issues</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::J Society and Social Sciences::JN Education</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::K Economics, Finance, Business and Management::KJ Business and Management::KJM Management and management techniques::KJMP Project management</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Weiterbildung 4.0</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p>Dieses Open Access-Buch zeigt, dass Kompetenzentwicklung im Unternehmen so flexibel und innovativ sein kann, wie es die Arbeit oft schon ist. Der Ansatz „Agiles Lernen im Unternehmen“ wendet agile Methoden auf die betriebliche Weiterbildung an. Beschäftigte entwickeln neue Kompetenzen direkt im Arbeitsumfeld, die Herangehensweise ist dynamisch und kann im Verlauf des Lernens sich wandelnden Anforderungen und Rahmenbedingungen angepasst werden. Fachliche und methodische Begleiter unterstützen das Lernen und richten es am Bedarf des Unternehmens aus. Das Buch stellt Agiles Lernen im Unternehmen umfassend dar: Der erste Teil beschreibt den Hintergrund und das Vorgehen im Einzelnen. Im zweiten Teil werden sieben ausgewählte agile Lernprojekte aus sehr unterschiedlichen Unternehmen vorgestellt. Der dritte Teil behandelt übergreifende Themen zu Gestaltung, Organisation und Perspektive des agilen Lernens. Es lädt dazu ein, den Ansatz selbst auszuprobieren.</p>
<p>Die Herausgeber</p>
<p>Dr. Jörg Longmuß ist Maschinenschlosser, Ingenieur für Konstruktionstechnik und Erziehungswissenschaftler. Seine Schwerpunkte sind Nachhaltigkeit in Produktentstehung und betrieblicher Weiterbildung. Er ist Vorstand bei Sustainum – Institut für zukunftsfähiges Wirtschaften Berlin. Gabriele Korge ist gelernte Nachrichtentechnische Assistentin und Soziologin M.A. Ihre Schwerpunkte sind Organisationsentwicklung, Kompetenzmanagement und betriebliche Weiterbildung. Sie ist wissenschaftliche Mitarbeiterin beim Fraunhofer-Institut für Arbeitswirtschaft und Organisation IAO Stuttgart. Agnes Bauer ist Diplom-Psychologin. Am TransferZentrum für Neurowissenschaften und Lernen der Universität Ulm hat sie über zwölf Jahre zu betrieblichem Lernen und zu Lernen in informellen Kontexten geforscht sowie Lernkonzepte entwickelt und evaluiert. Dr. Benjamin Höhne ist Diplom-Psychologe und arbeitet als Projektkoordinator am Fernstudieninstitut der Beuth Hochschule für Technik Berlin sowie als Coach für agile Lernprojekte in verschiedenen Netzwerken zum Themenbereich digitale Kompetenzen.</p><br/><br/>Listed by <a href="https://unglue.it/work/465704/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/84/a8/84a83a0405f8d1fcdf9fe6e40d4bc57e.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Springer</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2021</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/272814/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.239566.350075</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>350075</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780692471289</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Animals and Ethics 101</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Nathan Nobis</PersonName><PersonNameInverted>Nobis, Nathan</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Animal Rights</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Ethics</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI000000</SubjectCode><SubjectHeadingText>Philosophy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI005000</SubjectCode><SubjectHeadingText>Philosophy / Ethics &amp; Moral Philosophy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Textbooks</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><em>Animals and Ethics 101 </em>helps readers identify and evaluate the arguments for and against various uses of animals, such as: </p>
<ul>
<li>Is it morally wrong to experiment on animals? Why or why not? </li>
<li>Is it morally permissible to eat meat? Why or why not? </li>
<li>Are we morally obligated to provide pets with veterinary care (and, if so, how much?)? Why or why not? </li>
</ul>
<p>And other challenging issues and questions. Developed as a companion volume to an <a href="http://www.nathannobis.com/p/animals-and-ethics-lecture-videos.html" target="_blank">online "Animals &amp; Ethics" course</a>, it is ideal for classroom use, discussion groups or self study. The book presupposes no conclusions on these controversial moral questions about the treatment of animals, and argues for none either. Its goal is to help the reader better engage the issues and arguments on all sides with greater clarity, understanding and argumentative rigor. Nathan Nobis, Ph.D., is an Associate Professor of Philosophy at Morehouse College in Atlanta, GA USA.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/239566/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://encrypted.google.com/books?id=p0sxDwAAQBAJ&amp;printsec=frontcover&amp;img=1&amp;zoom=1</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Open Philosophy Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20161011</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/44173/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.239566.350075</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>350075</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780692471289</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Animals and Ethics 101</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Nathan Nobis</PersonName><PersonNameInverted>Nobis, Nathan</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Animal Rights</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Ethics</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI000000</SubjectCode><SubjectHeadingText>Philosophy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI005000</SubjectCode><SubjectHeadingText>Philosophy / Ethics &amp; Moral Philosophy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Textbooks</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><em>Animals and Ethics 101 </em>helps readers identify and evaluate the arguments for and against various uses of animals, such as: </p>
<ul>
<li>Is it morally wrong to experiment on animals? Why or why not? </li>
<li>Is it morally permissible to eat meat? Why or why not? </li>
<li>Are we morally obligated to provide pets with veterinary care (and, if so, how much?)? Why or why not? </li>
</ul>
<p>And other challenging issues and questions. Developed as a companion volume to an <a href="http://www.nathannobis.com/p/animals-and-ethics-lecture-videos.html" target="_blank">online "Animals &amp; Ethics" course</a>, it is ideal for classroom use, discussion groups or self study. The book presupposes no conclusions on these controversial moral questions about the treatment of animals, and argues for none either. Its goal is to help the reader better engage the issues and arguments on all sides with greater clarity, understanding and argumentative rigor. Nathan Nobis, Ph.D., is an Associate Professor of Philosophy at Morehouse College in Atlanta, GA USA.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/239566/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://encrypted.google.com/books?id=p0sxDwAAQBAJ&amp;printsec=frontcover&amp;img=1&amp;zoom=1</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Open Philosophy Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20161011</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/44173/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.239566.350075</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>350075</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780692471289</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Animals and Ethics 101</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Nathan Nobis</PersonName><PersonNameInverted>Nobis, Nathan</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Animal Rights</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Ethics</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI000000</SubjectCode><SubjectHeadingText>Philosophy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI005000</SubjectCode><SubjectHeadingText>Philosophy / Ethics &amp; Moral Philosophy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Textbooks</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><em>Animals and Ethics 101 </em>helps readers identify and evaluate the arguments for and against various uses of animals, such as: </p>
<ul>
<li>Is it morally wrong to experiment on animals? Why or why not? </li>
<li>Is it morally permissible to eat meat? Why or why not? </li>
<li>Are we morally obligated to provide pets with veterinary care (and, if so, how much?)? Why or why not? </li>
</ul>
<p>And other challenging issues and questions. Developed as a companion volume to an <a href="http://www.nathannobis.com/p/animals-and-ethics-lecture-videos.html" target="_blank">online "Animals &amp; Ethics" course</a>, it is ideal for classroom use, discussion groups or self study. The book presupposes no conclusions on these controversial moral questions about the treatment of animals, and argues for none either. Its goal is to help the reader better engage the issues and arguments on all sides with greater clarity, understanding and argumentative rigor. Nathan Nobis, Ph.D., is an Associate Professor of Philosophy at Morehouse College in Atlanta, GA USA.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/239566/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://encrypted.google.com/books?id=p0sxDwAAQBAJ&amp;printsec=frontcover&amp;img=1&amp;zoom=1</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Open Philosophy Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20161011</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/44173/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.239566.350075</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>350075</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780692471289</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Animals and Ethics 101</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Nathan Nobis</PersonName><PersonNameInverted>Nobis, Nathan</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Animal Rights</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Ethics</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI000000</SubjectCode><SubjectHeadingText>Philosophy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI005000</SubjectCode><SubjectHeadingText>Philosophy / Ethics &amp; Moral Philosophy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Textbooks</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><em>Animals and Ethics 101 </em>helps readers identify and evaluate the arguments for and against various uses of animals, such as: </p>
<ul>
<li>Is it morally wrong to experiment on animals? Why or why not? </li>
<li>Is it morally permissible to eat meat? Why or why not? </li>
<li>Are we morally obligated to provide pets with veterinary care (and, if so, how much?)? Why or why not? </li>
</ul>
<p>And other challenging issues and questions. Developed as a companion volume to an <a href="http://www.nathannobis.com/p/animals-and-ethics-lecture-videos.html" target="_blank">online "Animals &amp; Ethics" course</a>, it is ideal for classroom use, discussion groups or self study. The book presupposes no conclusions on these controversial moral questions about the treatment of animals, and argues for none either. Its goal is to help the reader better engage the issues and arguments on all sides with greater clarity, understanding and argumentative rigor. Nathan Nobis, Ph.D., is an Associate Professor of Philosophy at Morehouse College in Atlanta, GA USA.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/239566/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://encrypted.google.com/books?id=p0sxDwAAQBAJ&amp;printsec=frontcover&amp;img=1&amp;zoom=1</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Open Philosophy Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20161011</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/44173/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.239566.350075</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>350075</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780692471289</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Animals and Ethics 101</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Nathan Nobis</PersonName><PersonNameInverted>Nobis, Nathan</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Animal Rights</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Ethics</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI000000</SubjectCode><SubjectHeadingText>Philosophy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>PHI005000</SubjectCode><SubjectHeadingText>Philosophy / Ethics &amp; Moral Philosophy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Textbooks</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><em>Animals and Ethics 101 </em>helps readers identify and evaluate the arguments for and against various uses of animals, such as: </p>
<ul>
<li>Is it morally wrong to experiment on animals? Why or why not? </li>
<li>Is it morally permissible to eat meat? Why or why not? </li>
<li>Are we morally obligated to provide pets with veterinary care (and, if so, how much?)? Why or why not? </li>
</ul>
<p>And other challenging issues and questions. Developed as a companion volume to an <a href="http://www.nathannobis.com/p/animals-and-ethics-lecture-videos.html" target="_blank">online "Animals &amp; Ethics" course</a>, it is ideal for classroom use, discussion groups or self study. The book presupposes no conclusions on these controversial moral questions about the treatment of animals, and argues for none either. Its goal is to help the reader better engage the issues and arguments on all sides with greater clarity, understanding and argumentative rigor. Nathan Nobis, Ph.D., is an Associate Professor of Philosophy at Morehouse College in Atlanta, GA USA.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/239566/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://encrypted.google.com/books?id=p0sxDwAAQBAJ&amp;printsec=frontcover&amp;img=1&amp;zoom=1</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Open Philosophy Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20161011</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/44173/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.587070.786774</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>786774</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520395015</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Aspects of Kinship in Ancient Iran</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>D. T. Potts</PersonName><PersonNameInverted>Potts, D. T.</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Creative economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film industries</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>hollywood</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Hollywood South</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Iran</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Kinship</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>LCSH</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Louisiana</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>New Orleans</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Runaway film</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Tax incentives</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Originally delivered in 2020 as the Biennial Ehsan Yarshater Lectures, Aspects of Kinship in Ancient Iran is an exploration of kinship in the archaeological and historical record of Iran’s most ancient civilizations. D. T. Potts brings together history, archaeology, and social anthropology to provide an overview of what we can know about the kith and kinship ties in Iran, from prehistory to Elamite, Achaemenid, and Sasanian times. In so doing, he sheds light on the rich body of evidence that exists for kin relations in Iran, a topic that has too often been ignored in the study of the ancient world. “As always with this excellent authority on ancient Iranian history and cultures, D. T. Potts presents five highly innovative essays on forms of kinship and social organization in ancient Iran from the Elamites to the Sasanians that are full of new ideas and suggestions for further research.” — Josef Wiesehöfer, Professor Emeritus of Ancient History and Classics, University of Kiel, and author of Ancient Persia: From 550 BC to 650 AD<br/><br/>Listed by <a href="https://unglue.it/work/587070/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/c6/23/c623c79be857dec5288eb187cb5552d3.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20231010</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/418122/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.587070.786774</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>786774</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520395015</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Aspects of Kinship in Ancient Iran</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>D. T. Potts</PersonName><PersonNameInverted>Potts, D. T.</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Creative economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film industries</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>hollywood</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Hollywood South</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Iran</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Kinship</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>LCSH</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Louisiana</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>New Orleans</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Runaway film</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Tax incentives</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Originally delivered in 2020 as the Biennial Ehsan Yarshater Lectures, Aspects of Kinship in Ancient Iran is an exploration of kinship in the archaeological and historical record of Iran’s most ancient civilizations. D. T. Potts brings together history, archaeology, and social anthropology to provide an overview of what we can know about the kith and kinship ties in Iran, from prehistory to Elamite, Achaemenid, and Sasanian times. In so doing, he sheds light on the rich body of evidence that exists for kin relations in Iran, a topic that has too often been ignored in the study of the ancient world. “As always with this excellent authority on ancient Iranian history and cultures, D. T. Potts presents five highly innovative essays on forms of kinship and social organization in ancient Iran from the Elamites to the Sasanians that are full of new ideas and suggestions for further research.” — Josef Wiesehöfer, Professor Emeritus of Ancient History and Classics, University of Kiel, and author of Ancient Persia: From 550 BC to 650 AD<br/><br/>Listed by <a href="https://unglue.it/work/587070/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/c6/23/c623c79be857dec5288eb187cb5552d3.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20231010</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/418122/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.587070.786774</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>786774</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520395015</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Aspects of Kinship in Ancient Iran</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>D. T. Potts</PersonName><PersonNameInverted>Potts, D. T.</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Creative economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film industries</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>hollywood</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Hollywood South</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Iran</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Kinship</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>LCSH</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Louisiana</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>New Orleans</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Runaway film</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Tax incentives</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Originally delivered in 2020 as the Biennial Ehsan Yarshater Lectures, Aspects of Kinship in Ancient Iran is an exploration of kinship in the archaeological and historical record of Iran’s most ancient civilizations. D. T. Potts brings together history, archaeology, and social anthropology to provide an overview of what we can know about the kith and kinship ties in Iran, from prehistory to Elamite, Achaemenid, and Sasanian times. In so doing, he sheds light on the rich body of evidence that exists for kin relations in Iran, a topic that has too often been ignored in the study of the ancient world. “As always with this excellent authority on ancient Iranian history and cultures, D. T. Potts presents five highly innovative essays on forms of kinship and social organization in ancient Iran from the Elamites to the Sasanians that are full of new ideas and suggestions for further research.” — Josef Wiesehöfer, Professor Emeritus of Ancient History and Classics, University of Kiel, and author of Ancient Persia: From 550 BC to 650 AD<br/><br/>Listed by <a href="https://unglue.it/work/587070/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/c6/23/c623c79be857dec5288eb187cb5552d3.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20231010</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/418122/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.587070.786774</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>786774</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520395015</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Aspects of Kinship in Ancient Iran</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>D. T. Potts</PersonName><PersonNameInverted>Potts, D. T.</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Creative economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film industries</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>hollywood</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Hollywood South</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Iran</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Kinship</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>LCSH</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Louisiana</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>New Orleans</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Runaway film</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Tax incentives</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Originally delivered in 2020 as the Biennial Ehsan Yarshater Lectures, Aspects of Kinship in Ancient Iran is an exploration of kinship in the archaeological and historical record of Iran’s most ancient civilizations. D. T. Potts brings together history, archaeology, and social anthropology to provide an overview of what we can know about the kith and kinship ties in Iran, from prehistory to Elamite, Achaemenid, and Sasanian times. In so doing, he sheds light on the rich body of evidence that exists for kin relations in Iran, a topic that has too often been ignored in the study of the ancient world. “As always with this excellent authority on ancient Iranian history and cultures, D. T. Potts presents five highly innovative essays on forms of kinship and social organization in ancient Iran from the Elamites to the Sasanians that are full of new ideas and suggestions for further research.” — Josef Wiesehöfer, Professor Emeritus of Ancient History and Classics, University of Kiel, and author of Ancient Persia: From 550 BC to 650 AD<br/><br/>Listed by <a href="https://unglue.it/work/587070/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/c6/23/c623c79be857dec5288eb187cb5552d3.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20231010</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/418122/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.587070.786774</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>786774</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520395015</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Aspects of Kinship in Ancient Iran</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>D. T. Potts</PersonName><PersonNameInverted>Potts, D. T.</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Creative economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film industries</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>hollywood</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Hollywood South</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Iran</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Kinship</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>LCSH</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Louisiana</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>New Orleans</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Runaway film</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Tax incentives</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Originally delivered in 2020 as the Biennial Ehsan Yarshater Lectures, Aspects of Kinship in Ancient Iran is an exploration of kinship in the archaeological and historical record of Iran’s most ancient civilizations. D. T. Potts brings together history, archaeology, and social anthropology to provide an overview of what we can know about the kith and kinship ties in Iran, from prehistory to Elamite, Achaemenid, and Sasanian times. In so doing, he sheds light on the rich body of evidence that exists for kin relations in Iran, a topic that has too often been ignored in the study of the ancient world. “As always with this excellent authority on ancient Iranian history and cultures, D. T. Potts presents five highly innovative essays on forms of kinship and social organization in ancient Iran from the Elamites to the Sasanians that are full of new ideas and suggestions for further research.” — Josef Wiesehöfer, Professor Emeritus of Ancient History and Classics, University of Kiel, and author of Ancient Persia: From 550 BC to 650 AD<br/><br/>Listed by <a href="https://unglue.it/work/587070/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/c6/23/c623c79be857dec5288eb187cb5552d3.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20231010</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/418122/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.587070.786774</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>786774</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520395015</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Aspects of Kinship in Ancient Iran</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>D. T. Potts</PersonName><PersonNameInverted>Potts, D. T.</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Creative economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film industries</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>hollywood</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Hollywood South</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Iran</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Kinship</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>LCSH</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Louisiana</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>New Orleans</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Runaway film</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Tax incentives</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Originally delivered in 2020 as the Biennial Ehsan Yarshater Lectures, Aspects of Kinship in Ancient Iran is an exploration of kinship in the archaeological and historical record of Iran’s most ancient civilizations. D. T. Potts brings together history, archaeology, and social anthropology to provide an overview of what we can know about the kith and kinship ties in Iran, from prehistory to Elamite, Achaemenid, and Sasanian times. In so doing, he sheds light on the rich body of evidence that exists for kin relations in Iran, a topic that has too often been ignored in the study of the ancient world. “As always with this excellent authority on ancient Iranian history and cultures, D. T. Potts presents five highly innovative essays on forms of kinship and social organization in ancient Iran from the Elamites to the Sasanians that are full of new ideas and suggestions for further research.” — Josef Wiesehöfer, Professor Emeritus of Ancient History and Classics, University of Kiel, and author of Ancient Persia: From 550 BC to 650 AD<br/><br/>Listed by <a href="https://unglue.it/work/587070/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/c6/23/c623c79be857dec5288eb187cb5552d3.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20231010</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/418122/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.587070.786774</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>786774</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520395015</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Aspects of Kinship in Ancient Iran</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>D. T. Potts</PersonName><PersonNameInverted>Potts, D. T.</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Creative economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film economy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Film industries</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>hollywood</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Hollywood South</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Iran</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Kinship</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>LCSH</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Louisiana</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>New Orleans</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Runaway film</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Tax incentives</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Originally delivered in 2020 as the Biennial Ehsan Yarshater Lectures, Aspects of Kinship in Ancient Iran is an exploration of kinship in the archaeological and historical record of Iran’s most ancient civilizations. D. T. Potts brings together history, archaeology, and social anthropology to provide an overview of what we can know about the kith and kinship ties in Iran, from prehistory to Elamite, Achaemenid, and Sasanian times. In so doing, he sheds light on the rich body of evidence that exists for kin relations in Iran, a topic that has too often been ignored in the study of the ancient world. “As always with this excellent authority on ancient Iranian history and cultures, D. T. Potts presents five highly innovative essays on forms of kinship and social organization in ancient Iran from the Elamites to the Sasanians that are full of new ideas and suggestions for further research.” — Josef Wiesehöfer, Professor Emeritus of Ancient History and Classics, University of Kiel, and author of Ancient Persia: From 550 BC to 650 AD<br/><br/>Listed by <a href="https://unglue.it/work/587070/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/c6/23/c623c79be857dec5288eb187cb5552d3.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20231010</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/418122/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.136615.214017</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>214017</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9781929752430</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Biodigital</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>John Sundman</PersonName><PersonNameInverted>Sundman, John</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>artificial intelligence</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>COM000000</SubjectCode><SubjectHeadingText>Computers</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC000000</SubjectCode><SubjectHeadingText>Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode></SubjectCode><SubjectHeadingText>Fiction / Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>FIC028020</SubjectCode><SubjectHeadingText>Fiction / Science Fiction / High Tech</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Science Fiction</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Silicon Valley</SubjectHeadingText></Subject></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div><p><strong>Biodigital: A Novel of Overmind Emergent</strong></p>
<p><em>Biodigital</em> is a novel, first published as an Ebook via Unglue.it, about a Silicon Valley tech genius/messiah and the quasi-religious cult of transhumanist computer designers and brain hackers who follow him. Its plot ostensibly concerns Gulf War Syndrome, a mysterious ailment reported by veterans of the first Gulf War (1991).  It's set in the early-to-mid 1990's but presages many developments that are just now appearing in the real world.</p>
<p>Careful readers may notice that this is the same description that I used for <em>Acts of the Apostles</em>, about which more below.</p>
<p><strong>Synopsis</strong></p>
<p>As American-led forces assemble in Saudi Arabia for the largest military operation since Normandy, computer designer Todd Griffith discovers a secret function buried within the Kali chip. That night he is shot in the head. Five years later, burnt-out Silicon Valley software engineer Nick Aubrey boards a "red-eye" flight to Boston and winds up seated next to a very disturbed man who claims to know the secret of Gulf War Syndrome. Over Utah, Nick's chance companion meets his dramatic demise, and the police accuse Nick of murder. Soon the police are the least of Nick's worries. On the run from a Silicon Valley tech messiah and the hacker cult that venerates him, tempted by exotic foreign beauties, betrayed by those closest to him, Nick must solve the Gulf War enigma or spend the rest of his life on the lam. The only person who doesn't want a piece of Nick, it seems, is his estranged wife Bartlett, a genetic scientist with secrets of her own.  All clues lead to a pharmaceutical laboratory in Basel Switzerland, where scientists are working on submicrosopic machines to rearrange human DNA. But Nick can't find out what's really going on without Todd's help, and Todd's been in a coma for nearly half a dozen years.</p>
<p> </p>
<p>Careful readers may notice that this is nearly identical to the synopsis of <em>Acts of the Apostles</em>. What gives?</p>
<p> </p>
<p><em><strong>Biodigital </strong></em>and<strong> <em>Acts of the Apostles</em></strong></p>
<p>The novel<em> Biodigital</em> is a half-new novel largely based on <em>Acts of the Apostles</em>. To a rough approximation, the texts of <em>Acts</em> and <em>Biodigital </em>are about 60% congruent. Each book also contains another 40% of material that is not in the other. So they're the same but different, kinda like different versions of Superman or Batman "origin" movies, or the original (John Wayne) and remake (Jeff Bridges) versions of <em>True Grit.  </em>Or maybe like the 1858 and 1867 editions of <em>Leaves of Grass.</em></p>
<p><strong>Got it. But What's the Difference Between the Books and Which One Should I Read?</strong></p>
<p><em>Acts of the Apostles </em>is a more convoluted book than <em>Biodigital</em> is. Its plot has curlicues and diversions and intricacies and improbabilities. Depending on your tastes, this is either a bug or a feature. (In my opinion, it's a little of both). <em>Biodigital</em> is more straight ahead, more of a pure thriller, more Dan Brown than Neil Stephenson, which in some ways makes it a less sophisticated book. But on the other hand, the roles of four characters, most signicantly Nick's wife Bartlett, are substantially enhanced in <em>Biodigital</em>. And as a consequence, the actions of the main villain are also seen to be much less arbitrary than they are in <em>Acts,</em> and hence even more sinister. Plus, I've rewritten the opening chapters to make them more logical and faster paced than their counterparts in <em>Acts. </em>And significantly, because Bartlett is on stage much more in <em>Biodigital </em>than she was in <em>Acts</em>, so too is her science. I think the overall verisimilitude is enhanced, given recent real-world developments in brain and genetic sciences.</p>
<p>One more point: <em>Acts of the Apostles</em> is part of the <em>Mind over Matter</em> trilogy, which also includes <em>Cheap Complex Devices</em> and <em>The Pains</em>. But most of the parts of <em>Acts</em> that hook into these other two books are not present in <em>Biodigital</em>. </p>
<p><strong>This is so fascinating! Give Me the Gory Backstory of How You Decided to Remake Your Classic <em>"Acts"</em>! </strong></p>
<p>Here's how <em>Biodigital</em> came about. About four years ago I sold the rights to Acts of the Apostles, my 1999 self-published novel that has acquired a modest but passionate fan base, to a small publishing house (call it "U") whose titles I much esteemed. The terms of the deall were that some "small edits" might be required before the book could be published; the editorial director ("V") would direct me. As the process of "cleaning up" the book began, it became clear that V had in mind a book substantially different from <em>Acts</em>. Although the main plot and most of the characters were the same, some sub-plots and characters were to deleted, some characters changed names and/or took on greater or lesser roles than in the original book. It was pretty much a wholesale overhaul. I did it because I wanted to see how the book would do with a "real" publisher.</p>
<p>Although many of the changes sought (or demanded) by V were clearly improvements, as time wore on the process became less and less fun. Every change I made gave rise to new demands for ever more revisions. Although my editor had some good editorial instincts, V and I simply had very different conceptions of what the book was about.  Among other things, at V's direction I deleted most of the "hooks" that connected <em>Acts </em>with the other two books in the <em>Mind over Matter </em>trilogy.<em> </em>At some point we decided that the book was different enough from the original <em>Acts of the Apostles</em> to deserve a new name. I christened it Biodigital. </p>
<p>Anyway, after I had spent a year revising <em>Acts</em> / creating <em>Biodigital</em>, U and V finally declared that they were finally happy with it. But, to my dismay, they then said that they weren't going to publish it (I supsect that their money was running low, but I don't really know).  In any event,  the rights reverted to me. </p>
<p>So I put the book in my virtual sock drawer for more than two years, not sure if I liked it well enough to go to the trouble of publishing something that might only confuse or annoy people who had already read <em>Acts.</em> On the other hand there was a lot to like about it. So, I decided to spend a little while undoing the enforced changes that I least liked and throw it out to the world to see how it did. Which I'm now doing, what what.</p>
<p><strong>John Sundman and Creative Commons</strong></p>
<p>The Creative Commons license was formally introduced to the world at the O'Reilly Emerging Technology conference in 2003. John Sundman was present at the conference, and put his two then-existing books (<em>Acts </em>and <em>Devices</em>) under the license immediately. Thus they have been available for free download from various servers for more than a decade. Who knows how many people have already read the books this way? Not me.  At least it's gotten me a little notice (and perhaps a place in Commons Heaven, if there is such a place).</p>
<p>And now I'm releasing yet another book under Creative Commons. Under my contract with Gluejar, this book been set free after a period that was reduced every time someone made a purchase.</p>
<br/><br/>Listed by <a href="https://unglue.it/work/136615/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/bf/93/bf9369c960ecc7206ec2045c90457b6a.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>Rosalita Associates</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>2014</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/3759/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.400541.545914</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>545914</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520971806</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Bishops in Flight</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Jennifer Barry</PersonName><PersonNameInverted>Barry, Jennifer</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient history: to c 500 CE</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient religions &amp; mythologies</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Athanasius of Alexandria</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Christian Flight</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>displacement</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ecclesiastical Historians</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Eusebius of Nicomedia</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Exile</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>General</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>History: earliest times to present day</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>John Chrysostom</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Meletius of Antioch</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Nicene Controversy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Orthodoxy and Heresy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Other non-Christian religions</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>REL000000</SubjectCode><SubjectHeadingText>Religion</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Religion &amp; beliefs</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::N History and Archaeology::NH History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Flight during times of persecution has a long and fraught history in early Christianity. In the third century, bishops who fled were cowards or, worse yet, heretics. On the face of it, it meant denial of Christ and thus betrayal of the faith and its community. But, by the fourth century, the terms of persecution changed as Christianity became the favored cult of the Roman Empire. Prominent Christians who fled and hence survived became founders and influencers of Christianity over time. Bishops in Flight examines the various ways these episcopal leaders both appealed to and altered the discourse of Christian flight to defend their status as purveyors of Christian truth even when their exiles appeared to condemn them. It illuminates how profoundly Christian authors deployed theological discourse and the rhetoric of heresy to respond to the phenomenal political instability of the fourth and fifth centuries.<br/><br/>Listed by <a href="https://unglue.it/work/400541/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/eb/aa/ebaa8c91913a1e24da138ee7b8566d85.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20190423</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/410210/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.400541.545914</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>545914</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520971806</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Bishops in Flight</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Jennifer Barry</PersonName><PersonNameInverted>Barry, Jennifer</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient history: to c 500 CE</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient religions &amp; mythologies</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Athanasius of Alexandria</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Christian Flight</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>displacement</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ecclesiastical Historians</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Eusebius of Nicomedia</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Exile</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>General</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>History: earliest times to present day</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>John Chrysostom</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Meletius of Antioch</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Nicene Controversy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Orthodoxy and Heresy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Other non-Christian religions</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>REL000000</SubjectCode><SubjectHeadingText>Religion</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Religion &amp; beliefs</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::N History and Archaeology::NH History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Flight during times of persecution has a long and fraught history in early Christianity. In the third century, bishops who fled were cowards or, worse yet, heretics. On the face of it, it meant denial of Christ and thus betrayal of the faith and its community. But, by the fourth century, the terms of persecution changed as Christianity became the favored cult of the Roman Empire. Prominent Christians who fled and hence survived became founders and influencers of Christianity over time. Bishops in Flight examines the various ways these episcopal leaders both appealed to and altered the discourse of Christian flight to defend their status as purveyors of Christian truth even when their exiles appeared to condemn them. It illuminates how profoundly Christian authors deployed theological discourse and the rhetoric of heresy to respond to the phenomenal political instability of the fourth and fifth centuries.<br/><br/>Listed by <a href="https://unglue.it/work/400541/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/eb/aa/ebaa8c91913a1e24da138ee7b8566d85.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20190423</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/410210/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.400541.545914</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>545914</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520971806</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Bishops in Flight</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Jennifer Barry</PersonName><PersonNameInverted>Barry, Jennifer</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient history: to c 500 CE</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient religions &amp; mythologies</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Athanasius of Alexandria</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Christian Flight</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>displacement</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ecclesiastical Historians</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Eusebius of Nicomedia</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Exile</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>General</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>History: earliest times to present day</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>John Chrysostom</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Meletius of Antioch</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Nicene Controversy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Orthodoxy and Heresy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Other non-Christian religions</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>REL000000</SubjectCode><SubjectHeadingText>Religion</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Religion &amp; beliefs</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::N History and Archaeology::NH History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Flight during times of persecution has a long and fraught history in early Christianity. In the third century, bishops who fled were cowards or, worse yet, heretics. On the face of it, it meant denial of Christ and thus betrayal of the faith and its community. But, by the fourth century, the terms of persecution changed as Christianity became the favored cult of the Roman Empire. Prominent Christians who fled and hence survived became founders and influencers of Christianity over time. Bishops in Flight examines the various ways these episcopal leaders both appealed to and altered the discourse of Christian flight to defend their status as purveyors of Christian truth even when their exiles appeared to condemn them. It illuminates how profoundly Christian authors deployed theological discourse and the rhetoric of heresy to respond to the phenomenal political instability of the fourth and fifth centuries.<br/><br/>Listed by <a href="https://unglue.it/work/400541/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/eb/aa/ebaa8c91913a1e24da138ee7b8566d85.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20190423</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/410210/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.400541.545914</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>545914</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520971806</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Bishops in Flight</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Jennifer Barry</PersonName><PersonNameInverted>Barry, Jennifer</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient history: to c 500 CE</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient religions &amp; mythologies</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Athanasius of Alexandria</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Christian Flight</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>displacement</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ecclesiastical Historians</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Eusebius of Nicomedia</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Exile</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>General</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>History: earliest times to present day</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>John Chrysostom</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Meletius of Antioch</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Nicene Controversy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Orthodoxy and Heresy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Other non-Christian religions</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>REL000000</SubjectCode><SubjectHeadingText>Religion</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Religion &amp; beliefs</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::N History and Archaeology::NH History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Flight during times of persecution has a long and fraught history in early Christianity. In the third century, bishops who fled were cowards or, worse yet, heretics. On the face of it, it meant denial of Christ and thus betrayal of the faith and its community. But, by the fourth century, the terms of persecution changed as Christianity became the favored cult of the Roman Empire. Prominent Christians who fled and hence survived became founders and influencers of Christianity over time. Bishops in Flight examines the various ways these episcopal leaders both appealed to and altered the discourse of Christian flight to defend their status as purveyors of Christian truth even when their exiles appeared to condemn them. It illuminates how profoundly Christian authors deployed theological discourse and the rhetoric of heresy to respond to the phenomenal political instability of the fourth and fifth centuries.<br/><br/>Listed by <a href="https://unglue.it/work/400541/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/eb/aa/ebaa8c91913a1e24da138ee7b8566d85.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20190423</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/410210/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.400541.545914</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>545914</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520971806</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Bishops in Flight</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Jennifer Barry</PersonName><PersonNameInverted>Barry, Jennifer</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient history: to c 500 CE</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient religions &amp; mythologies</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Athanasius of Alexandria</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Christian Flight</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>displacement</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ecclesiastical Historians</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Eusebius of Nicomedia</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Exile</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>General</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>History: earliest times to present day</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>John Chrysostom</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Meletius of Antioch</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Nicene Controversy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Orthodoxy and Heresy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Other non-Christian religions</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>REL000000</SubjectCode><SubjectHeadingText>Religion</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Religion &amp; beliefs</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::N History and Archaeology::NH History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Flight during times of persecution has a long and fraught history in early Christianity. In the third century, bishops who fled were cowards or, worse yet, heretics. On the face of it, it meant denial of Christ and thus betrayal of the faith and its community. But, by the fourth century, the terms of persecution changed as Christianity became the favored cult of the Roman Empire. Prominent Christians who fled and hence survived became founders and influencers of Christianity over time. Bishops in Flight examines the various ways these episcopal leaders both appealed to and altered the discourse of Christian flight to defend their status as purveyors of Christian truth even when their exiles appeared to condemn them. It illuminates how profoundly Christian authors deployed theological discourse and the rhetoric of heresy to respond to the phenomenal political instability of the fourth and fifth centuries.<br/><br/>Listed by <a href="https://unglue.it/work/400541/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/eb/aa/ebaa8c91913a1e24da138ee7b8566d85.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20190423</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/410210/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.400541.545914</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>545914</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520971806</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Bishops in Flight</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Jennifer Barry</PersonName><PersonNameInverted>Barry, Jennifer</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient history: to c 500 CE</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient religions &amp; mythologies</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Athanasius of Alexandria</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Christian Flight</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>displacement</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ecclesiastical Historians</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Eusebius of Nicomedia</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Exile</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>General</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>History: earliest times to present day</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>John Chrysostom</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Meletius of Antioch</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Nicene Controversy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Orthodoxy and Heresy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Other non-Christian religions</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>REL000000</SubjectCode><SubjectHeadingText>Religion</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Religion &amp; beliefs</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::N History and Archaeology::NH History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Flight during times of persecution has a long and fraught history in early Christianity. In the third century, bishops who fled were cowards or, worse yet, heretics. On the face of it, it meant denial of Christ and thus betrayal of the faith and its community. But, by the fourth century, the terms of persecution changed as Christianity became the favored cult of the Roman Empire. Prominent Christians who fled and hence survived became founders and influencers of Christianity over time. Bishops in Flight examines the various ways these episcopal leaders both appealed to and altered the discourse of Christian flight to defend their status as purveyors of Christian truth even when their exiles appeared to condemn them. It illuminates how profoundly Christian authors deployed theological discourse and the rhetoric of heresy to respond to the phenomenal political instability of the fourth and fifth centuries.<br/><br/>Listed by <a href="https://unglue.it/work/400541/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/eb/aa/ebaa8c91913a1e24da138ee7b8566d85.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20190423</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/410210/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product><Product><RecordReference>it.unglue.work.400541.545914</RecordReference><NotificationType>03</NotificationType><ProductIdentifier><ProductIDType>01</ProductIDType><IDTypeName>unglue.it edition id</IDTypeName><IDValue>545914</IDValue></ProductIdentifier><ProductIdentifier><ProductIDType>03</ProductIDType><IDValue>9780520971806</IDValue></ProductIdentifier><DescriptiveDetail><ProductComposition>00</ProductComposition><ProductForm>ED</ProductForm><ProductFormDetail>E101</ProductFormDetail><EpubLicense><EpubLicenseName>CC BY-SA</EpubLicenseName><EpubLicenseExpression><EpubLicenseExpressionType>01</EpubLicenseExpressionType><EpubLicenseExpressionLink>https://creativecommons.org/licenses/by-sa/3.0/</EpubLicenseExpressionLink></EpubLicenseExpression></EpubLicense><TitleDetail><TitleType>01</TitleType><TitleElement><TitleElementLevel>01</TitleElementLevel><TitleText>Bishops in Flight</TitleText></TitleElement></TitleDetail><Contributor><SequenceNumber>1</SequenceNumber><ContributorRole>A01</ContributorRole><PersonName>Jennifer Barry</PersonName><PersonNameInverted>Barry, Jennifer</PersonNameInverted></Contributor><Language><LanguageRole>01</LanguageRole><LanguageCode>eng</LanguageCode></Language><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient history: to c 500 CE</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ancient religions &amp; mythologies</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Athanasius of Alexandria</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Christian Flight</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>displacement</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Ecclesiastical Historians</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Eusebius of Nicomedia</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Exile</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>General</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>HIS000000</SubjectCode><SubjectHeadingText>History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>History: earliest times to present day</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>04</SubjectSchemeIdentifier><SubjectHeadingText>Humanities</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>John Chrysostom</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Meletius of Antioch</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Nicene Controversy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Orthodoxy and Heresy</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Other non-Christian religions</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>10</SubjectSchemeIdentifier><SubjectCode>REL000000</SubjectCode><SubjectHeadingText>Religion</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>Religion &amp; beliefs</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::N History and Archaeology::NH History</SubjectHeadingText></Subject><Subject><SubjectSchemeIdentifier>20</SubjectSchemeIdentifier><SubjectHeadingText>thema EDItEUR::Q Philosophy and Religion::QR Religion and beliefs</SubjectHeadingText></Subject><AudienceRange><AudienceRangeQualifier>17</AudienceRangeQualifier><AudienceRangePrecision>03</AudienceRangePrecision><AudienceRangeValue>18</AudienceRangeValue></AudienceRange></DescriptiveDetail><CollateralDetail><TextContent><TextType>03</TextType><ContentAudience>00</ContentAudience><Text textformat="05"><div>Flight during times of persecution has a long and fraught history in early Christianity. In the third century, bishops who fled were cowards or, worse yet, heretics. On the face of it, it meant denial of Christ and thus betrayal of the faith and its community. But, by the fourth century, the terms of persecution changed as Christianity became the favored cult of the Roman Empire. Prominent Christians who fled and hence survived became founders and influencers of Christianity over time. Bishops in Flight examines the various ways these episcopal leaders both appealed to and altered the discourse of Christian flight to defend their status as purveyors of Christian truth even when their exiles appeared to condemn them. It illuminates how profoundly Christian authors deployed theological discourse and the rhetoric of heresy to respond to the phenomenal political instability of the fourth and fifth centuries.<br/><br/>Listed by <a href="https://unglue.it/work/400541/">Unglue.it</a>.</div></Text></TextContent><SupportingResource><ResourceContentType>01</ResourceContentType><ContentAudience>00</ContentAudience><ResourceMode>03</ResourceMode><ResourceVersion><ResourceForm>01</ResourceForm><ResourceVersionFeature><ResourceVersionFeatureType>01</ResourceVersionFeatureType><FeatureValue>D502</FeatureValue></ResourceVersionFeature><ResourceLink>https://tieulgnu.s3.amazonaws.com/cache/eb/aa/ebaa8c91913a1e24da138ee7b8566d85.jpg</ResourceLink></ResourceVersion></SupportingResource></CollateralDetail><PublishingDetail><Publisher><PublishingRole>01</PublishingRole><PublisherName>University of California Press</PublisherName></Publisher><PublishingStatus>00</PublishingStatus><PublishingDate><PublishingDateRole>01</PublishingDateRole><Date>20190423</Date></PublishingDate></PublishingDetail><ProductSupply><Market><Territory><RegionsIncluded>WORLD</RegionsIncluded></Territory></Market><SupplyDetail><Supplier><SupplierRole>11</SupplierRole><SupplierName>Unglue.it</SupplierName><Website><WebsiteRole>29</WebsiteRole><WebsiteDescription textformat="06">epub file download</WebsiteDescription><WebsiteLink>https://unglue.it/download_ebook/410210/</WebsiteLink></Website></Supplier><ProductAvailability>20</ProductAvailability><Price><PriceType>01</PriceType><PriceAmount>0.00</PriceAmount><CurrencyCode>USD</CurrencyCode></Price></SupplyDetail></ProductSupply></Product></ONIXMessage>