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The Decameron (From the Greek: δέκα - ten & μέρα - day) (Italian: Decameron [deˈkaːmeron; dekameˈrɔn; dekameˈron] or Decamerone [dekameˈroːne]), subtitled Prince Galehaut (Old Italian: Prencipe Galeotto [ˈprentʃipe ɡaleˈɔtto; ˈprɛntʃipe]), is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio (1313–1375). The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men sheltering in a secluded villa just outside Florence to escape the Black Death, which was afflicting the city. Boccaccio probably conceived the Decameron after the epidemic of 1348, and completed it by 1353. The various tales of love in The Decameron range from the erotic to the tragic. Tales of wit, practical jokes, and life lessons contribute to the mosaic. In addition to its literary value and widespread influence (for example on Chaucer's The Canterbury Tales), it provides a document of life at the time. Written in the vernacular of the Florentine language, it is considered a masterpiece of classical early Italian prose. From Wikipedia (CC BY-SA).

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Jurgen, A Comedy of Justice is a fantasy book by James Branch Cabell, which gained fame (or notoriety) shortly after its publication in 1919. It is a humorous romp through a medieval cosmos, including a send-up of Arthurian legend, and excursions to Heaven and Hell as in The Divine Comedy. Cabell's work is recognized as a landmark in the creation of the comic fantasy novel, influencing Terry Pratchett and many others. From Wikipedia (CC BY-SA).

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The Ball and the Cross is a novel by G. K. Chesterton. The title refers to a more worldly and rationalist worldview, represented by a ball or sphere, and the cross representing Christianity. The first chapters of the book were serialized from 1905 to 1906 with the completed work published in 1909. The novel's beginning involves debates about rationalism and religion between a Professor Lucifer and a monk named Michael. A part of this section was quoted in Pope John Paul I's Illustrissimi letter to G. K. Chesterton. Much of the rest of the book concerns the dueling, figurative and somewhat more literal, of a Jacobite Catholic named Maclan and an atheist Socialist named Turnbull. Lynette Hunter has argued that the novel is more sympathetic to Maclan, but does indicate Maclan is also presented as in some ways too extreme. Turnbull, as well, is presented in a sympathetic light: both duelists are ready to fight for and die for their antagonistic opinions and, in doing so, develop a certain partnership that evolves into a friendship. The real antagonist is the world outside, which desperately tries to prevent from happening a duel over "mere religion" (a subject both duelists judge of utmost importance). From Wikipedia (CC BY-SA).

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Cornelius van Baerle, a respectable tulip-grower, lives only to cultivate the elusive black tulip and win the magnificent prize for its creation. But after his powerful godfather is assassinated, the unwitting Cornelius becomes caught up in deadly political intrigue and is falsely accused of high treason by a bitter rival. Condemned to life imprisonment, his only comfort is Rosa, the jailer’s beautiful daughter, and together they concoct a plan to grow the black tulip in secret. Dumas’s last major historical novel is a tale of romantic love, jealousy and obsession, interweaving historical events surrounding the brutal murders of two Dutch statesmen in 1672 with the phenomenon of ‘Tulipomania’ that gripped seventeenth-century Holland. This new translation follows the unabridged edition of 1865 and includes a chronology and list of further reading. In his introduction, Robin Buss discusses Dumas' use of elements from the history of the Dutch Republic, ‘Tulipomania’ and the paintings of the period, and places the novel in the context of Dumas' life and career.

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The Decameron (Italian title: "Decameron" [deˈkaːmeron; dekameˈrɔn; dekameˈron] or "Decamerone" [dekameˈroːne]), subtitled "Prince Galehaut" (Old Italian: Prencipe Galeotto [ˈprentʃipe ɡaleˈɔtto; ˈprɛntʃipe] and sometimes nicknamed "Umana commedia", "Human comedy"), is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio (1313–1375). The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men sheltering in a secluded villa just outside Florence to escape the Black Death, which was afflicting the city. Boccaccio probably conceived of The Decameron after the epidemic of 1348, and completed it by 1353. The various tales of love in The Decameron range from the erotic to the tragic. Tales of wit, practical jokes, and life lessons contribute to the mosaic. In addition to its literary value and widespread influence (for example on Chaucer's The Canterbury Tales), it provides a document of life at the time. Written in the vernacular of the Florentine language, it is considered a masterpiece of classical early Italian prose. From Wikipedia (CC BY-SA).

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The Decameron (Italian title: "Decameron" [deˈkaːmeron; dekameˈrɔn; dekameˈron] or "Decamerone" [dekameˈroːne]), subtitled "Prince Galehaut" (Old Italian: Prencipe Galeotto [ˈprentʃipe ɡaleˈɔtto; ˈprɛntʃipe] and sometimes nicknamed "Umana commedia", "Human comedy"), is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio (1313–1375). The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men sheltering in a secluded villa just outside Florence to escape the Black Death, which was afflicting the city. Boccaccio probably conceived of The Decameron after the epidemic of 1348, and completed it by 1353. The various tales of love in The Decameron range from the erotic to the tragic. Tales of wit, practical jokes, and life lessons contribute to the mosaic. In addition to its literary value and widespread influence (for example on Chaucer's The Canterbury Tales), it provides a document of life at the time. Written in the vernacular of the Florentine language, it is considered a masterpiece of classical early Italian prose. From Wikipedia (CC BY-SA).

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In "The Man Who Was Thursday," British writer G. K. Chesterton expounded prolifically about his wide-ranging philosophies. Chesterton is impossible to categorize as "liberal" or "conservative" across a wide variety of avenues: he was a literary critic, historian, playwright, novelist, columnist, and poet. His witty, humorous style earned him the title of the "prince of paradox," and his works-80 books and nearly 4,000 essays-remain among the most beloved in the English language Considered by many readers to be G. K. Chesterton's best work, "The Man Who Was Thursday" is an outrageous satire about a club of gentlemen in London at the turn of the 20th century who have vowed to destroy the world. Subtitled "A Nightmare," and bursting with Chesterton's trademark wit and abundant in surprising metaphors about religion, nature, and human civilization itself, "The Man Who Was Thursday" is a philosophical and ironic wonder, a delight to read and an even greater delight to ponder. G. K. Chesterton was one of the most influential English writers of the 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy and detective fiction. Chesterton has been called the "prince of paradox". Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out."For example, Chesterton wrote the following: Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it. Chesterton is well known for his reasoned apologetics and even those who disagree with him have recognized the universal appeal of such works as Orthodoxy and "The Everlasting Man," and "The Man Who Was Thursday."

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The Sea-Wolf is a 1904 psychological adventure novel by American novelist Jack London. The book's protagonist, Humphrey van Weyden, is a literary critic who is a survivor of an ocean collision and who comes under the dominance of Wolf Larsen, the powerful and amoral sea captain who rescues him. Its first printing of forty thousand copies was immediately sold out before publication on the strength of London's previous The Call of the Wild. Ambrose Bierce wrote, "The great thing—and it is among the greatest of things—is that tremendous creation, Wolf Larsen... the hewing out and setting up of such a figure is enough for a man to do in one lifetime... The love element, with its absurd suppressions, and impossible proprieties, is awful." From Wikipedia (CC BY-SA).

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"To the beautiful Ozark hill country comes a man from the world of cities. Among the people of the district, with their simple, direct ideals and way of life, he finds the peaceful atmosphere he craves, while his more intellectual philosophy and character come to be valuable elements in the lives of his new friends. From his relationship with "Sammy" Lane and the Matthews family arise in dramatic fashion the gripping situations and thrilling incidents that bring him into a peculiarly intimate connection with these people, their country, and their simple life." --Back cover.

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This ebook uses 19th century spelling

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