|
Loading... Instruments for New Music: Sound, Technology, and Modernism (2016)17 | None | 1,244,599 |
(4) | None | A free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.… (more) |
▾Will you like it?
Loading...
Sign up for LibraryThing to find out whether you'll like this book. ▾Conversations (About links) No current Talk conversations about this book. ▾Series and work relationships
|
Canonical title |
|
Original title |
|
Alternative titles |
|
Original publication date |
|
People/Characters |
|
Important places |
|
Important events |
|
Related movies |
|
Epigraph |
Music is of the imagination, but the imagination is of the sound and the sound is of the instruments.
--Robert Donington | |
|
Dedication |
For Audrey and Felix. | |
|
First words |
The demand for new instruments resounded at the dawn of the twentieth century. | |
|
Quotations |
|
Last words |
Accordingly, the challenge for contemporary musicians is by no means a simple matter of remaining technologically "up to date"; instead, it is a question of navigating, at the deepest, cellular level of artistic practice, the unstable force fields spanning the gap between instruments and aesthetics, technology and technique. (Click to show. Warning: May contain spoilers.) | |
|
Disambiguation notice |
|
Publisher's editors |
|
Blurbers |
|
Original language |
|
Canonical DDC/MDS |
|
Canonical LCC |
|
▾References References to this work on external resources. Wikipedia in EnglishNone ▾Book descriptions A free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Player pianos, radio-electric circuits, gramophone records, and optical sound film-these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson's fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. ▾Library descriptions No library descriptions found. ▾LibraryThing members' description
|
Current DiscussionsNoneGoogle Books — Loading...
RatingAverage: (4)0.5 | | 1 | | 1.5 | | 2 | | 2.5 | | 3 | | 3.5 | | 4 | 1 | 4.5 | | 5 | |
|