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From Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community.
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Subjects
Popular music, Sound recordingsShowing 2 featured editions. View all 2 editions?
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1
Bytes and Backbeats: Repurposing Music in the Digital Age
May 29, 2013, University of Michigan Press
paperback
0472035533 9780472035533
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2
Bytes and Backbeats: Repurposing Music in the Digital Age
20110926, University of Michigan Press
0472901184 9780472901180
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Book Details
Published in
Ann Arbor
Edition Notes
Open Access Unrestricted online access
Knowledge Unlatched
Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
English
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- Created November 17, 2020
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December 27, 2021 | Edited by ImportBot | import existing book |
November 17, 2020 | Created by MARC Bot | Imported from marc_oapen MARC record. |