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The writer Marguerite Duras was a key figure in post-war French cinema, pioneering innovations such as the disjunction of film and image, and the primacy given to voices, silence and music. Her multisensorial approach opened up new spaces for the female experience to be expressed. Although she worked with some of the best French visual technicians and musicians of her time, critiques have often neglected the visual and sonic aesthetics of her films, and their effects on spectators. Drawing on theories of embodiment and spectatorship, this book analyses the tactility and multisensoriality of Duras? films, and how they relate to her female-centred perspective.
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Edition | Availability |
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1
Cinema of Marguerite Duras: Multisensoriality and Female Subjectivity
2019, Edinburgh University Press
in English
1474427855 9781474427852
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2
The Cinema of Marguerite Duras
Publish date unknown, Edinburgh University Press
in English
1474440541 9781474440547
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Edinburgh, UK
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Knowledge Unlatched 104803 KU Open Services
English.
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- Created July 21, 2020
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