Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

Listed by Unglue.it.

Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

Listed by Unglue.it.

Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

Listed by Unglue.it.

Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

Listed by Unglue.it.

Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

Listed by Unglue.it.

Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in the United Kingdom in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.

The book is noted for its colorful description of people and places along the Mississippi River. Set in a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism.

The versions at Internet Archive include the 174 Illustrations by E. W. Kemble (1861-1933) and 13 illustrations by James Harley as prepared by Mobileread User GrannyGrump

Listed by Unglue.it.

Since the Delors report, education reformers have been working to create curricula that allow human beings to flourish. Schools should not only be places where we learn to be and learn to live together, but also places where the way we assess students valorises the diverse range of human gifts within them. Yet, most schools remain locked in a 19th-century assessment structure that prevents young people from exploring the full variety and extent of their talents, forcing them to perform on a narrow, high-stakes track. When will this change?

Listed by Unglue.it.

Flatland: A Romance of Many Dimensions, though written in 1884, is still considered useful in thinking about multiple dimensions. It is also seen as a satirical depiction of Victorian society and its hierarchies. A square, who is a resident of the two-dimensional Flatland, dreams of the one-dimensional Lineland. He attempts to convince the monarch of Lineland of the possibility of another dimension, but the monarch cannot see outside the line. The square is then visited himself by a Sphere from three-dimensional Spaceland, who must show the square Spaceland before he can conceive it. As more dimensions enter the scene, the story's discussion of fixed thought and the kind of inhuman action which accompanies it intensifies.

Listed by Unglue.it.

Great Expectations By Charles Dickens My fathers family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip. I give Pirrip as my fathers family name, on the authority of his tombstone and my sister, Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like were unreasonably derived from their tombstones. The shape of the letters on my fathers, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above," I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine, who gave up trying to get a living, exceedingly early in that universal struggle, I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence. Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dikes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip. "Hold your noise!" cried a terrible voice, as a man started up from among the graves at the side of the church porch. "Keep still, you little devil, or Ill cut your throat!" A fearful man, all in coarse gray, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared, and growled; and whose teeth chattered in his head as he seized me by the chin.

Listed by Unglue.it.

Heart of Darkness follows the story of Charlie Marlow's time working on the Congo River. In his attempts to aid Mr. Kurtz, the chief of the Inner Station, Marlow is confronted with the cruel realities of European imperialism in Africa. This Norton Critical Edition is based on the 1902 English first book publication. The text comes paired with explanatory footnotes, illustrations and photographs, and an introduction by the editor. "Backgrounds and Contexts" explores the wide range of historical attitudes that influenced the text, including essays on imperialism and the Congo, Nineteenth-Century Attitudes Toward Race, Conrad in the Congo, and The Author on Art and Literature. "Criticism" examines a wide range of critical responses to the novella, which span from Conrad's peers up until the twenty-first century. Essays from Chinua Achebe, Jeremy Hawthorn, Hunt Hawkins, Ian Watts, J. Hillis Miller, and others have been carried over from the previous edition. These classic essays are further supported by new material from Benita Parry, Susan Jones, Richard J. Ruppel, Adriana Cavarero, Jeffrey Mathes McCarthy, Urmila Seshagirl, and Nidesh Lawtoo. The collection of essays on film adaptations of the novella has been completely revised to include essays by Robert L. Carringer, Seymour Chatman, and Pamela Demory. A Chronology and revised Selected Bibliography are also included. - Publisher.

Listed by Unglue.it.

Immediately recognized as a masterpiece when it was first published in 1847, Charlotte Brontë’s Jane Eyre is an extraordinary coming-of-age story featuring one of the most independent and strong-willed female protagonists in all of literature. Poor and plain, Jane Eyre begins life as a lonely orphan in the household of her hateful aunt. Despite the oppression she endures at home, and the later torture of boarding school, Jane manages to emerge with her spirit and integrity unbroken. She becomes a governess at Thornfield Hall, where she finds herself falling in love with her employer—the dark, impassioned Mr. Rochester. But an explosive secret tears apart their relationship, forcing Jane to face poverty and isolation once again. One of the world’s most beloved novels, Jane Eyre is a startlingly modern blend of passion, romance, mystery, and suspense. 

Listed by Unglue.it.

Immediately recognized as a masterpiece when it was first published in 1847, Charlotte Brontë’s Jane Eyre is an extraordinary coming-of-age story featuring one of the most independent and strong-willed female protagonists in all of literature. Poor and plain, Jane Eyre begins life as a lonely orphan in the household of her hateful aunt. Despite the oppression she endures at home, and the later torture of boarding school, Jane manages to emerge with her spirit and integrity unbroken. She becomes a governess at Thornfield Hall, where she finds herself falling in love with her employer—the dark, impassioned Mr. Rochester. But an explosive secret tears apart their relationship, forcing Jane to face poverty and isolation once again. One of the world’s most beloved novels, Jane Eyre is a startlingly modern blend of passion, romance, mystery, and suspense. 

Listed by Unglue.it.

Immediately recognized as a masterpiece when it was first published in 1847, Charlotte Brontë’s Jane Eyre is an extraordinary coming-of-age story featuring one of the most independent and strong-willed female protagonists in all of literature. Poor and plain, Jane Eyre begins life as a lonely orphan in the household of her hateful aunt. Despite the oppression she endures at home, and the later torture of boarding school, Jane manages to emerge with her spirit and integrity unbroken. She becomes a governess at Thornfield Hall, where she finds herself falling in love with her employer—the dark, impassioned Mr. Rochester. But an explosive secret tears apart their relationship, forcing Jane to face poverty and isolation once again. One of the world’s most beloved novels, Jane Eyre is a startlingly modern blend of passion, romance, mystery, and suspense. 

Listed by Unglue.it.

Immediately recognized as a masterpiece when it was first published in 1847, Charlotte Brontë’s Jane Eyre is an extraordinary coming-of-age story featuring one of the most independent and strong-willed female protagonists in all of literature. Poor and plain, Jane Eyre begins life as a lonely orphan in the household of her hateful aunt. Despite the oppression she endures at home, and the later torture of boarding school, Jane manages to emerge with her spirit and integrity unbroken. She becomes a governess at Thornfield Hall, where she finds herself falling in love with her employer—the dark, impassioned Mr. Rochester. But an explosive secret tears apart their relationship, forcing Jane to face poverty and isolation once again. One of the world’s most beloved novels, Jane Eyre is a startlingly modern blend of passion, romance, mystery, and suspense. 

Listed by Unglue.it.

Immediately recognized as a masterpiece when it was first published in 1847, Charlotte Brontë’s Jane Eyre is an extraordinary coming-of-age story featuring one of the most independent and strong-willed female protagonists in all of literature. Poor and plain, Jane Eyre begins life as a lonely orphan in the household of her hateful aunt. Despite the oppression she endures at home, and the later torture of boarding school, Jane manages to emerge with her spirit and integrity unbroken. She becomes a governess at Thornfield Hall, where she finds herself falling in love with her employer—the dark, impassioned Mr. Rochester. But an explosive secret tears apart their relationship, forcing Jane to face poverty and isolation once again. One of the world’s most beloved novels, Jane Eyre is a startlingly modern blend of passion, romance, mystery, and suspense. 

Listed by Unglue.it.

This is an OCR edition with typos. Excerpt from book: NOTES. ABBREVIATIONS. Clar.?Clarendon Press Edition, by W. Aldis Wright G.?Globe Edition of Shakspere. References to othei plays of Shakspere's than Julius Caesar are according tc this edition. Plut.?Shakespeare's Plutarch, edited by W. W. Skeat. ACT I. I. i. This first scene indicates the existence of the two main forces at work throughout the play, (1) the popularity which is bearing Caesar to the summit of his ambition, and (2) the hatred of the faction of the opposition. It is Shakspere's custom thus to strike the key-note at the outset. I. i. 3. Being mechanical. Being mechanics or artisans. I. i. 10. In respect of. In comparison with. I. i. 11. Cobbler. Originally, a "mender," then "clumsy workman." In Shakspere's English the word has no exclusive reference to shoes; hence the repetition of the question by Marullus. I. i. 12. Directly. Straightforwardly. I. i. 15. Soles. For another instance of this familiar pun, cf. Merchant of Venice, IV. i. 123, 24, " Not on thy sole, but on thy soul, harsh Jew, Thou makest thy knife keen." I. i. 18. Be not out. Do not fall out. The sense of the punning phrase in the next line is, of course, "out at heels." The favorite Elizabethan habit of punning is illustrated again in awl in ver. 25, and in recover in ver. 27, below. I. i. 28. Proper. Originally, " having the qualities appropriate to a man," later, "flue," "handsome." I. i. 35-55. Cf. Plut.. p. 91. " But the triumph he made into Rome for the same [i.e., the victory over Pompey's sons], did as much offend the Romans, and more, than anythingthat ever he had done before: because he had not overcome captains that were strangers, nor barbarous king's, but had destroyed the sons of the noblest man of Rome, whom fortune had overthrown." Triumph- is u...

Listed by Unglue.it.

R. A. Foakes is Professor Emeritus at the University of California, Los Angeles. He has also taught or held fellowships at Yale, Birmingham, Durham, Kent, Toronto, the University of California, Santa Barbara, and the Australian National University, Canberra. His publications include Shakespeare: The Dark Comedies to the Last Plays and Illustrations of the English Stage 1580-1642, as well as editions of Henry VIII and The Comedy of Errors for the second Arden series, Troilus and Cressida and Much Ado About Nothing for the New Penguin Shakespeare, and A Midsummer Night's Dream for the New Cambridge Shakespeare. He has written extensively on King Lear in his book, Hamlet versus Lear: Cultural Politics and Shakespeare's Art. In the first part of Foakes's introduction, the editor examines King Lear as it is read in the mind versus how it is performed on the stage, analyzing historical productions and certain elements of the play that shine in performance but not in text, and vice versa. This section also explores how and why the play has invited so many interpretations, in reading and performance, since its inception. The next part of the introduction considers trends in the criticism and staging of the play, such as the recent shift of favor from redemptive to bleak readings. Foakes then addresses the dating of the play, the differences among the Quarto and Folio texts, and whether these changes are mere discrepancies or intentional revisions. Finally, the editor discusses the casting of the play and explains notable usages in his edition. There are two appendices that follow the play: the first examines two textual problems that are particularly difficult to interpret, and the second explains differences in lineation between the Quarto and Folio editions, which resulted from confusion whether certain lines were in prose or verse. This edition also includes lists of illustrations, abbreviations, and references, as well as a general editors’ preface and an index. The Arden Shakespeare has developed a reputation as the pre-eminent critical edition of Shakespeare for its exceptional scholarship, reflected in the thoroughness of each volume. An introduction comprehensively contextualizes the play, chronicling the history and culture that surrounded and influenced Shakespeare at the time of its writing and performance, and closely surveying critical approaches to the work. Detailed appendices address problems like dating and casting, and analyze the differing Quarto and Folio sources. A full commentary by one or more of the play’s foremost contemporary scholars illuminates the text, glossing unfamiliar terms and drawing from an abundance of research and expertise to explain allusions and significant background information. Highly informative and accessible, Arden offers the fullest experience of Shakespeare available to a reader. "By far the best edition of King Lear—in respect of both textual and other matters—that we now have."—John Lyon, English Language Notes "This volume is a treasure-trove of precise information and stimulating comments on practically every aspect of the Lear-universe. I know of no other edition which I would recommend with such confidence: to students, professional colleagues and also the 'educated public.'"—Dieter Mehl, Shakespeare-Jahrbuch 134

Listed by Unglue.it.

This is an introductory text intended for a one-year introductory course of the type typically taken by biology majors, or for AP Physics B. Algebra and trig are used, and there are optional calculus-based sections. See the web site for related resources.

Listed by Unglue.it.

Educational assessment is important. But in the twenty-first century it is easy to feel that schooling and other phases of education are shaped entirely by certain assessments, and that assessment is only about exam results. The idea that test grades can accurately describe the aims and outcomes of education is unfair and reductive. Yet it is a pervasive and persuasive discourse. This book is about such discourses - the stories we tell each other - and how they impact public trust and confidence in educational assessment. It explains the roots and nature of assessment discourses, and proposes a restructuring of the debates in order to rebuild public confidence. It aims to challenge dominant assessment discourses and demands a more nuanced, informed debate about what happens in and beyond schools, and how this influences public thinking. Questioning the status quo needs buy-in from policymakers, teachers, parents and students, and from the broader public: from journalists, you, me, our friends and our children. Using examples from international settings to explore the nature of trust in assessment discourses, Rebuilding Public Confidence in Educational Assessment shows how these discourses can be reframed so that all aspects of the assessment system - policymaking, school planning, home practice with students - can be undertaken with confidence.

Listed by Unglue.it.

Set during five of the most intensely dramatic days ever portrayed, ROMEO AND JULIET was probably written in 1594 or 1595, and first published in a 1597 edition, as transcribed by actors who had performed it. Other editions appeared later, but even the more authoritative versions, such as that of 1599--probably drawn from Shakespeare's own manuscript copies--lack the detailed stage directions present in the actors' transcription; thus, modern editions incorporate several sources. ROMEO AND JULIET is among the most oft performed of Shakespeare's works, and it has been among the most beloved since its earliest days on the stage. Though the title page of the 1597 edition declares that ROMEO AND JULIET had been performed and enjoyed many times prior to its publication, the first extant direct record of the events of a production refer to a 1662 staging, in which the play was probably adapted or altered--adaption was particularly popular in the 17th century. One London stage ran different conclusions on alternative nights; audiences who went home glum on Friday could be uplifted by the play's ending if they returned on Saturday night. The story of ROMEO AND JULIET was derived by Shakespeare from many sources. The version most contemporary to his own was the 1562 poem "The Tragicall History of Romeus and Iuliet" by Arthur Brooke, which itself was an adaptation of a French piece by Pierre Boaistuau, which Boaistuau had adapted from the Italian. Indeed, aspects of the tragic story have recurred throughout Western literature since at least the third century. Shakespeare greatly intensified the pace by compressing a piece which had unfolded over the course of several months into the space of five days--a period in which much transpires at daybreak, including the famous balcony scene where Romeo declares, "But soft, what light through yonder window breaks?/It is the east, and Juliet is the sun." Romeo is forced to approach Juliet in secret because of the impassioned rivalry between his family, the Montagues--and Juliet's, the Capulets. Despite the intensity of their family's mutual disdain, the young lovers strive to marry. However, fate intervenes to keep them apart, and, when the Montagues and Capulets discover the folly of their ways, it's too late for Romeo and Juliet.

Listed by Unglue.it.

Written in 1902, on the occasion of the competition "What is the Spanish University today and what should it be in the future", organised by the Universidad de Valencia to celebrate its IV Centenary, this work of Giner's maturity opened the path along which a relevant sector of our historiography on universities has followed.

Listed by Unglue.it.

The Awakening is a novel by Kate Chopin, first published in 1899. Set in New Orleans and on the Louisiana Gulf coast at the end of the 19th century, the plot centers on Edna Pontellier and her struggle between her increasingly unorthodox views on femininity and motherhood with the prevailing social attitudes of the turn-of-the-century American South. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics. ---------- Also contained in: - [American Women Writers](https://openlibrary.org/works/OL14943618W/American_Women_Writers) - [The Awakening & Other Stories][1] - [The Awakening and Other Stories](https://openlibrary.org/works/OL65436W) - [The Awakening and Other Writings](https://openlibrary.org/works/OL17571655W) - [The Awakening and Selected Short Fiction][2] - [The Awakening and Selected Short Stories][3] - [The Awakening and Selected Stories][4] - [The Awakening and Selected Stories][5] - [The Awakening and Selected Stories](https://openlibrary.org/works/OL65435W) - [Awakening and Selected Stories](https://openlibrary.org/works/OL26125409W) - [The Awakening and Selected Stories of Kate Chopin][6] - [The Awakening and Selected Stories of Kate Chopin](https://openlibrary.org/works/OL65434W) - [The Storm and Other Stories][7] - [Three Classics by American Women][8] - [Complete Works of Kate Chopin](https://openlibrary.org/works/OL65439W) [1]: https://openlibrary.org/works/OL16551541W/The_Awakening_Other_Stories [2]: https://openlibrary.org/works/OL18151347W/The_Awakening_and_Selected_Short_Fiction [3]: https://openlibrary.org/works/OL65438W/The_Awakening_and_Selected_Short_Stories [4]: https://openlibrary.org/works/OL18165397W/The_Awakening_and_Selected_Stories [5]: https://openlibrary.org/works/OL16589427W/The_Awakening_and_Selected_Stories [6]: https://openlibrary.org/works/OL65429W/The_Awakening_and_Selected_Stories_of_Kate_Chopin [7]: https://openlibrary.org/works/OL65432W/The_Storm_And_Other_Stories [8]: https://openlibrary.org/works/OL15514881W/Three_Classics_by_American_Women_(The_Awakening_Ethan_Frome_O_Pioneers!

Listed by Unglue.it.

Perhaps no other great poet in English Literature has been so differently judged at different times as Alexander Pope. Accepted almost on his first appearance as one of the leading poets of the day, he rapidly became recognized as the foremost man of letters of his age. He held this position throughout his life, and for over half a century after his death his works were considered not only as masterpieces, but as the finest models of poetry. With the change of poetic temper that occurred at the beginning of the nineteenth century Pope's fame was overshadowed. The romantic poets and critics even raised the question whether Pope was a poet at all. And as his poetical fame diminished, the harsh judgments of his personal character increased. It is almost incredible with what exulting bitterness critics and editors of Pope have tracked out and exposed his petty intrigues, exaggerated his delinquencies, misrepresented his actions, attempted in short to blast his character as a man. Both as a man and as a poet Pope is sadly in need of a defender to-day. And a defense is by no means impossible. The depreciation of Pope's poetry springs, in the main, from an attempt to measure it by other standards than those which he and his age recognized. The attacks upon his character are due, in large measure, to a misunderstanding of the spirit of the times in which he lived and to a forgetfulness of the special circumstances of his own life. Tried in a fair court by impartial judges Pope as a poet would be awarded a place, if not among the noblest singers, at least high among poets of the second order. And the flaws of character which even his warmest apologist must admit would on the one hand be explained, if not excused, by circumstances, and on the other more than counterbalanced by the existence of noble qualities to which his assailants seem to have been quite blind.

Listed by Unglue.it.

From the book:It is a little remarkable, that - though disinclined to talk overmuch of myself and my affairs at the fireside, and to my personal friends - an autobiographical impulse should twice in my life have taken possession of me, in addressing the public. The first time was three or four years since, when I favoured the reader - inexcusably, and for no earthly reason that either the indulgent reader or the intrusive author could imagine - with a description of my way of life in the deep quietude of an Old Manse. And now - because, beyond my deserts, I was happy enough to find a listener or two on the former occasion - I again seize the public by the button, and talk of my three years' experience in a Custom-House. The example of the famous "P. P., Clerk of this Parish," was never more faithfully followed. The truth seems to be, however, that when he casts his leaves forth upon the wind, the author addresses, not the many who will fling aside his volume, or never take it up, but the few who will understand him better than most of his schoolmates or lifemates. Some authors, indeed, do far more than this, and indulge themselves in such confidential depths of revelation as could fittingly be addressed only and exclusively to the one heart and mind of perfect sympathy; as if the printed book, thrown at large on the wide world, were certain to find out the divided segment of the writer's own nature, and complete his circle of existence by bringing him into communion with it. It is scarcely decorous, however, to speak all, even where we speak impersonally.

Listed by Unglue.it.

Wuthering Heights is a novel by Emily Brontë, written between October 1845 and June 1846, and published in 1847 under the pseudonym Ellis Bell. It was her first and only published novel: she died the following year, at age 30. The decision to publish came after the success of her sister Charlotte's novel, Jane Eyre. After Emily's death, Charlotte edited the manuscript of Wuthering Heights, and arranged for the edited version to be published as a posthumous second edition in 1850.

Wuthering Heights is the name of the farmhouse on the North York Moors where the story unfolds. The book's core theme is the destructive effect that jealousy and vengefulness have, both on the jealous or vengeful individuals and on their communities.

Although Wuthering Heights is now widely regarded as a classic of English literature, it received mixed reviews when first published, and was considered controversial because its depiction of mental and physical cruelty was unusually stark, and it challenged strict Victorian ideals of the day, including religious hypocrisy, morality, social classes and gender inequality. The English poet and painter Dante Gabriel Rossetti referred to it as "A fiend of a book – an incredible monster ... The action is laid in hell, – only it seems places and people have English names there."

Listed by Unglue.it.

Wuthering Heights is a novel by Emily Brontë, written between October 1845 and June 1846, and published in 1847 under the pseudonym Ellis Bell. It was her first and only published novel: she died the following year, at age 30. The decision to publish came after the success of her sister Charlotte's novel, Jane Eyre. After Emily's death, Charlotte edited the manuscript of Wuthering Heights, and arranged for the edited version to be published as a posthumous second edition in 1850.

Wuthering Heights is the name of the farmhouse on the North York Moors where the story unfolds. The book's core theme is the destructive effect that jealousy and vengefulness have, both on the jealous or vengeful individuals and on their communities.

Although Wuthering Heights is now widely regarded as a classic of English literature, it received mixed reviews when first published, and was considered controversial because its depiction of mental and physical cruelty was unusually stark, and it challenged strict Victorian ideals of the day, including religious hypocrisy, morality, social classes and gender inequality. The English poet and painter Dante Gabriel Rossetti referred to it as "A fiend of a book – an incredible monster ... The action is laid in hell, – only it seems places and people have English names there."

Listed by Unglue.it.

Wuthering Heights is a novel by Emily Brontë, written between October 1845 and June 1846, and published in 1847 under the pseudonym Ellis Bell. It was her first and only published novel: she died the following year, at age 30. The decision to publish came after the success of her sister Charlotte's novel, Jane Eyre. After Emily's death, Charlotte edited the manuscript of Wuthering Heights, and arranged for the edited version to be published as a posthumous second edition in 1850.

Wuthering Heights is the name of the farmhouse on the North York Moors where the story unfolds. The book's core theme is the destructive effect that jealousy and vengefulness have, both on the jealous or vengeful individuals and on their communities.

Although Wuthering Heights is now widely regarded as a classic of English literature, it received mixed reviews when first published, and was considered controversial because its depiction of mental and physical cruelty was unusually stark, and it challenged strict Victorian ideals of the day, including religious hypocrisy, morality, social classes and gender inequality. The English poet and painter Dante Gabriel Rossetti referred to it as "A fiend of a book – an incredible monster ... The action is laid in hell, – only it seems places and people have English names there."

Listed by Unglue.it.