This book investigates choreomusical aspects of tango argentino in translocal practice, in particular its current manifestation in Europe. It looks at translocal tango argentino in its many facets: movement structures, sound structures, dancers and musicians, and the complex relations between all of these factors that all have their share in shaping the practice. Beyond being the first extensive monograph about translocal tango music and dance, the book crosses borders in the use of both qualitative and quantitative methods, ranging from participant observation to statistical data evaluation, including optical motion capture for movement analysis.

This book is included in DOAB.