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Technological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities - including literary studies, aesthetics, film studies, and the philosophy of art - have a great deal to offer if we wish to establish a more nuanced and useful conception of copyright and authorship. This volume brings together scholars from a range of disciplines to explore the challenges inherent in translating aesthetics and creativity studies to concepts of copyright, especially as longstanding approaches are troubled by the rise of the digital.

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Keywords

  • Literary Criticism
  • Authorship theory
  • Copyright
  • Copyright Law
  • creativity studies
  • Law
  • Laws of Specific jurisdictions
  • library
  • Literary Criticism
  • Media
  • Nonfiction

Links

DOI: 10.26530/OAPEN_503030
web: http://en.aup.nl/zoeken?q=9789089646354

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