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The time around 1910 has entered art history as the moment when «abstraction was invented». However, where and when works of non-figurative art became present in the public eye has been afforded little attention to date. Exhibiting Abstraction is the first publication to be devoted entirely to the presentation of abstract art between 1908 and 1915 and as such uncovers strategies for the dissemination of early abstract painting in exhibitions.
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Keywords
- 1908–1915
- 20. Jahrhundert
- 20th century
- abstract art
- Abstractism
- Abstrakte Kunst
- Art
- art history
- Ausstellungsgeschichte
- Ausstellungsstrategie
- Avant-garde
- Avantgarde
- c 1910 to c 1919
- ca. 1910 bis ca. 1919
- Drawing and drawings
- einzelne Künstler, Künstlermonografien
- Europa
- Europe
- exhibition history
- exhibition strategy
- Expressionism
- Expressionismus
- Francis Picabia
- Frantisek Kupka
- Futurism
- Futurismus
- Giacomo Balla
- History of art
- Individual artists, art monographs
- Kazimir Malevich
- Kunst
- Kunstgeschichte
- modernism
- Modernismus
- New York City
- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kunstgeschichte (604019)
- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Art history (604019)
- Ölmalerei
- Orphism
- Orphismus
- Paintings and painting in oils
- Piet Mondrian
- Section d’Or
- Suprematism
- Suprematismus
- Thema Klassifizierung -- Geographische Qualifier (1) -- Europa (1D)
- Thema Klassifizierung -- Kunst (A) -- Kunst: Themen und Techniken (AG) -- einzelne Künstler, Künstlermonografien (AGB)
- Thema Klassifizierung -- Kunst (A) -- Kunst: Themen und Techniken (AG) -- Kunstgeschichte (AGA)
- Thema Klassifizierung -- Kunst (A) -- Kunstformen (AF) -- Malerei und Gemälde (AFC) -- Ölmalerei (AFCL)
- Thema Klassifizierung -- Kunst (A) -- Kunstformen (AF) -- Zeichnen und Zeichnungen (AFF)
- Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (A) (6A) -- Abstrakte Kunst (6AA)
- Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (A) (6A) -- Avantgarde (6AQ)
- Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (E) (6E) -- Expressionismus (6EF)
- Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (F) (6F) -- Futurismus (6FF)
- Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (M) (6M) -- Modernismus (6MC)
- Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (NO) (6N) -- Orphismus (6NM)
- Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (S) (6S) -- Section d’Or (6SH)
- Thema Klassifizierung -- Stil-Qualifier (6) -- Stile (S) (6S) -- Suprematismus (6SR)
- Thema Subject Codes -- Place qualifiers (1) -- Europe (1D)
- Thema Subject Codes -- Style qualifiers (6) -- Styles (A) (6A) -- Abstractism (6AA)
- Thema Subject Codes -- Style qualifiers (6) -- Styles (A) (6A) -- Avant-garde (6AQ)
- Thema Subject Codes -- Style qualifiers (6) -- Styles (E) (6E) -- Expressionism (6EF)
- Thema Subject Codes -- Style qualifiers (6) -- Styles (F) (6F) -- Futurism (6FF)
- Thema Subject Codes -- Style qualifiers (6) -- Styles (M) (6M) -- Modernism (6MC)
- Thema Subject Codes -- Style qualifiers (6) -- Styles (NO) (6N) -- Orphism (6NM)
- Thema Subject Codes -- Style qualifiers (6) -- Styles (S) (6S) -- Section d’Or (6SH)
- Thema Subject Codes -- Style qualifiers (6) -- Styles (S) (6S) -- Suprematism (6SR)
- Thema Subject Codes -- The Arts (A) -- The Arts: art forms (AF) -- Drawing and drawings (AFF)
- Thema Subject Codes -- The Arts (A) -- The Arts: art forms (AF) -- Paintings and painting (AFC) -- Paintings and painting in oils (AFCL)
- Thema Subject Codes -- The Arts (A) -- The Arts: treatments and subjects (AG) -- History of art (AGA)
- Thema Subject Codes -- The Arts (A) -- The Arts: treatments and subjects (AG) -- Individual artists, art monographs (AGB)
- Umberto Boccioni
- Wassily Kandinsky
- Zeichnen und Zeichnungen
Links
DOI: 10.1515/9783110755909Editions