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The Noise Silence Makes

The Noise Silence Makes

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Mariam Goshadze traces the history of noise regulation in Accra, Ghana, showing how the 1990s and 2000s conflicts between the Ga people and Pentecostal/Charismatic churches during the annual city-wide ban on drumming illuminates the innerworkings of Ghanaian secularity and the importance of “traditional religions” to African urbanity.

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DOI: 10.1215/9781478060406

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