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The present collection of essays focusing on Italian librettos at the Habsburg Court during the Baroque era gathers together the papers presented at the international conference “I libretti italiani a Vienna tra Sei e Settecento” (University of Vienna 2019). It aims at stimutaling and renewing the debate on a topic that still needs that appropriate attention among the fields of study related to the modern age.
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Keywords
- 17th-18th-century music
- 17th-century Italian opera
- 18th-century Italian opera
- Apostolo Zeno
- Austrian History
- Composers and songwriters
- Darstellende Künste
- Geschichte der darstellenden Künste
- Habsburg representation
- Historical and comparative linguistics
- Historische und vergleichende Sprachwissenschaft
- History of Performing Arts
- Italian libretto
- Italian opera
- Italian oratorio
- italienische Oper am Habsburger-Hof
- italienisches Oratorium
- Komponisten und Songwriter
- Librettist
- Libretto studies
- Libretto-Studien
- music theatre
- Musical scores, lyrics and libretti
- Musik des 17-18. Jahrhunderts
- Musiktheater
- Niccolò Minato
- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Geschichte, Archäologie (601) -- Geschichte, Archäologie (6010) -- Österreichische Geschichte (601016)
- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musiktheater (604034)
- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Sprach- und Literaturwissenschaften (602) -- Sprach- und Literaturwissenschaften (6020) -- Romanistik (602042)
- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Music theatre (604034)
- ÖFOS 2012 -- HUMANITIES (6) -- History, Archaeology (601) -- History, Archaeology (6010) -- Austrian history (601016)
- ÖFOS 2012 -- HUMANITIES (6) -- Linguistics and Literature (602) -- Linguistics and Literature (6020) -- Romance studies (602042)
- Oper
- Oper in Wien
- Opera
- Opera in Vienna
- Österreichische Geschichte
- Partituren, Libretti, Liedtexte
- Performing Arts
- Pietro Metastasio
- Poeti cesarei
- Representation of Power
- Romance Studies
- Romanistik
- Theaterregie und Theaterproduktion
- Theaterwissenschaft
- Theatre direction and production
- Theatre Studies
- Thema Klassifizierung -- Kunst (A) -- Darstellende Künste (AT)
- Thema Klassifizierung -- Kunst (A) -- Darstellende Künste (AT) -- Geschichte der darstellenden Künste (ATY)
- Thema Klassifizierung -- Kunst (A) -- Darstellende Künste (AT) -- Theaterwissenschaft (ATD)
- Thema Klassifizierung -- Kunst (A) -- Darstellende Künste (AT) -- Theaterwissenschaft (ATD) -- Theaterregie und Theaterproduktion (ATDF)
- Thema Klassifizierung -- Kunst (A) -- Musik (AV) -- Komponisten und Songwriter (AVN)
- Thema Klassifizierung -- Kunst (A) -- Musik (AV) -- Musik: Stile und Gattungen (AVL) -- Oper (AVLF)
- Thema Klassifizierung -- Kunst (A) -- Musik (AV) -- Partituren, Libretti, Liedtexte (AVQ)
- Thema Klassifizierung -- Sprache und Sprachwissenschaft (C) -- Sprachwissenschaft, Linguistik (CF) -- Historische und vergleichende Sprachwissenschaft (CFF)
- Thema Subject Codes -- Language and Linguistics (C) -- Linguistics (CF) -- Historical and comparative linguistics (CFF)
- Thema Subject Codes -- The Arts (A) -- Music (AV) -- Composers and songwriters (AVN)
- Thema Subject Codes -- The Arts (A) -- Music (AV) -- Music: styles and genres (AVL) -- Opera (AVLF)
- Thema Subject Codes -- The Arts (A) -- Music (AV) -- Musical scores, lyrics and libretti (AVQ)
- Thema Subject Codes -- The Arts (A) -- Performing arts (AT)
- Thema Subject Codes -- The Arts (A) -- Performing arts (AT) -- History of Performing Arts (ATY)
- Thema Subject Codes -- The Arts (A) -- Performing arts (AT) -- Theatre studies (ATD)
- Thema Subject Codes -- The Arts (A) -- Performing arts (AT) -- Theatre studies (ATD) -- Theatre direction and production (ATDF)
- Viennese court in the baroque era
- Vocal music
Links
DOI: 10.7767/9783205220435Editions