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Waves washing up against the hull, a bed and a small stove, the deck hatch sealed shut — the vessel is the ultimate dwelling. How to live together in cramped quarters? How to create a microcosm against hostile surroundings? In Barge Life, Florian Deroo tackles these question by looking at a mythical classic of French cinema: Jean Vigo’s 1934 film L’Atalante. A work brimming with the energies of surrealism and anarchism, L’Atalante follows a young couple, two shipmates, and a clowder of cats who dwell in the belly of a river barge. Deroo offers a wide-ranging essay on the film, revealing how it invokes a small group that withdraws from the rhythm of modern life to establish a different kind of existence elsewhere. In L’Atalante’s most riveting moments, the river barge becomes a vehicle for a powerful fantasy: a flexible collective life, lived in sensuous interdependence. Combining film criticism, philosophy, and biography, this book reconsiders a forerunner of the French New Wave and the early death of its director. Drawing readers into the living spaces of L’Atalante, Deroo explores the allure of retreating into a self-sufficient shelter, along with its intractable problems.
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Keywords
- Fantasy
- Film criticism
- film studies
- French cinema
- Jean Vigo
- Nouvelle Vague
- Roland Barthes
- Space
- thema EDItEUR::1 Place qualifiers::1D Europe::1DD Western Europe::1DDF France
- thema EDItEUR::6 Style qualifiers::6N Styles (NO)::6NW New Wave
- thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
Links
DOI: 10.53288/0480.1.00Editions