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Portrayals of love are everywhere in films and series. However, this apparent ubiquity is accompanied by a lack of understanding for the interconnection between love, its portrayal, and the medium of the moving picture. In contrast, this book presents a poetological theory and analysis of the time-forming connections between production processes – in order to ultimately provide an insight into the contemporary intimacies of the moving picture.
This book is included in DOAB.
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