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Franz Waxman: Between Film Music and the Concert Hall
Ingeborg Zechner
2026
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Franz Waxman (1906–1967) was a jazz musician, orchestrator, film composer, concert organizer, conductor, and a composer of concert and opera works. It was only after his emigration to the USA in the early 1930s that Waxman built himself a career in the concert hall – before this point he was exclusively working for the film and entertainment industries. Ingeborg Zechner explores Waxman’s musical career as being situated "between film music and the concert hall," highlighting the various intersections between these two areas by examining his biography – including his migration – his activities as musical director of the Los Angeles Music Festival, his international career as a conductor, and the film music that Waxman adapted for different contemporary media. Zechner shows that Hollywood composers, such as Waxman, perceived film music’s intermediality in the 1940s to 1960s as being crucial for the aesthetic identity of the film musical work, and, therefore, provides insights into not only Waxman’s career but also the historical and cultural context of American and international musical life.
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Keywords
- American film music reception history
- Cold War music politics
- Hollywood émigré composers
- Intermediality in music
- Migration and cultural exchange
- Soundtrack adaptation studies
- thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999
- thema EDItEUR::A The Arts::AV Music
- thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLA Art music, orchestral and formal music
- thema EDItEUR::A The Arts::AV Music::AVN Composers and songwriters
- thema EDItEUR::A The Arts::AV Music::AVP Musicians, singers, bands and groups
- Twentieth-century musicology
Links
DOI: 10.4324/9781003430841Editions