Musicians and Copyright examines the development of collective management organizations (CMOs) from the mid-19th century to the present day. Edited by Véronique Pouillard, Marius Buning, and Mala Loth, this book explores the history of CMOs, which play a pivotal role in the music industry by securing copyright revenues for artists. It provides a comprehensive overview of the origins and evolution of CMOs, their responses to technological advances, regulatory changes, and geopolitical shifts. Chapters offer case studies of different CMOs, highlighting issues such as membership, classification, language, and the challenges of registration and distribution. By examining the inner workings and social infrastructure of these institutions, the book sheds light on how CMOs shape the distribution and consumption of music in different historical, cultural, and legal contexts.

This book is included in DOAB.