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Supernatural Japan examines the role of Japanese writer Izumi Kyōka (1873–1939) in the formation of modern literature of the fantastic in Japan as a global literary genre. Kyōka wrote some of the most famous stories of ghosts, monsters, and the supernatural in modern Japanese literature, including The Holy Man of Mt. Kōya , The Grass Labyrinth , and The Castle Tower . Despite the clearly modernist elements and global influences of Kyōka’s fiction, his work has often been characterized as relying on traditional Japanese genres as inspiration for its themes and literary form. Pedro Bassoe considers how Kyōka’s stories have been produced by a meeting of global influences—including Apuleius, The Arabian Nights , Hans Christian Andersen, the Brothers Grimm, Prosper Mérimée, Guy de Maupassant, Gerhart Hauptmann, and Jules Verne—combined with traditional Japanese genres. Bassoe develops the notion of “the scholarly fantastic” to describe how a set of realistic epistemologies reinforce the fantastic in Kyōka’s writings. Supernatural Japan offers an up-to-date introduction to Izumi Kyōka and his writing for students, scholars, or fans of Japanese fantasy literature and media.
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Keywords
- Fairy tales
- Fantasy literature
- France
- French literature
- Ghosts
- Guy de Maupassant
- Hans Christian Andersen
- Horror literature
- Illustrated fiction
- Izumi Kyoka
- Japanese literature
- Jules Verne
- Literature of the fantastic
- Monsters
- Prosper Mérimée
- Roger Caillois
- The Arabian Nights
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBH Literary studies: c 1900 to c 2000
- thema EDItEUR::N History and Archaeology::NH History::NHF Asian history
- Tzvetan Todorov
- visuality
- Yokai
Links
DOI: 10.3998/mpub.14463158Editions