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The book is an interdisciplinary study on P ythian Three, Nemean Three and Nemean Five , three Pindaric epinicians, which share a special use of the word τέκτων, ‘fashioner’. In these victory odes, the term τέκτων refers to creators of immaterial objects and occurs close to the first and/or the final words of the poems, in connection with key themes, namely: health, poetry, choral performance, movement as opposed to stasis. The study shows that structures in which Pindaric metaphors are found have parallels in Indo-European languages of ancient attestation: Old Indic and Avestan. In doing so, the book casts new light on Pindar’s language and the stylistic features of his odes, which are in a relation of historical continuity with phraseological and structural characteristics of religious hymns of Ancient India and Iran. The study reveals that * tetƙ- metaphors and “* tetƙ- compositions”, i.e. metaphors and ring-compositions built by means of repetitions of “* tetƙ- words” (Vedic takṣ , Avestan taš , and Greek τέκτων), have a deep meta-thematic relevance in three linguistically related traditions and are an inherited phraseological stylistic feature common to Ancient Greek and Indo-Iranian poetic creations.
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Keywords
- Comparative linguistics
- Komparative Linguistik
- Pindar
- ring-composition
- Ringkomposition
- Stilistik
- Stylistics
- thema EDItEUR::C Language and Linguistics::CF Linguistics::CFG Semantics, discourse analysis, stylistics
- thema EDItEUR::D Biography, Literature and Literary studies::DB Ancient, classical and medieval texts::DBS Ancient Sagas and epics::DBSG Ancient Greek and Roman literature
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval
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