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This book examines how ten authors from Argentina, Mexico and Chile tackle the challenge of writing across languages, whether by prioritising one of them or by blending them. Based on an analysis of their strategies, this study proposes a typology that identifies four central dynamics: substitution, superimposition, border dynamics and oscillation. Translingual literature thus emerges as a critical space where identity, aesthetics and power converge
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DOI: 10.31819/9783968699523Editions