Explore
The Models of Space, Time and Vision in V. Nabokov’s Fiction: Narrative Strategies and Cultural Frames
Marina Grishakova
2006
0 Ungluers have
Faved this Work
Login to Fave
Marina Grishakova belongs to the younger generation scholars of the Tartu-Moscow school of semiotics. Her book is part of a semio-narratological tradition of a single author or a single work research that tackles issues of wider theoretical import: applicability of the concept of “modeling” in the humanities, theory of mimesis and the function of experimental literature in (post)modernist culture. By drawing on Y. Lotman’s conception of artistic models, the book adopts the semiotic perspective on modeling as an open-ended heuristic process underlying the logic of discovery and creative thinking. The book discusses the models of time and memory in modernist culture (Nietzsche’s and Bergson’s philosophy of time, Minkowski’s research on the psychopathological types of temporality) and their relevance to Nabokov’s fiction; popular-scientific notions of serialism and the fourth dimension; thematizations of the observer in modernist philosophy and arts; visual “prostheses” and “machines” (Eco), particularly the “camera vision” metaphor, its relation to Bergson’s notion of automatism and the popular idea of the criminal use of hypnosis. Vision is thematized also as a means of seduction and noncoercive control. Even before Foucault, Baudrillard and other critics of modernity, Nabokov noticed that advertising, political propaganda and erotic seduction alike employ implicit forms of suggestion. The book revises Rorty’s dilemma of “autonomy” and “solidarity” as applied to Nabokov’s work and offers new readings. It considers categories of narrative poetics as forms of cultural encoding that broaden and transform reader’s modes of perception and sense-making. Micro-models active in certain contexts or in the works of certain authors function as mobile interfaces between individual sensibilities and complex cultural chrono- and spatio-types where time and space take on conceptual meaning. (This title is the second revised edition, available online only. The web shop refers to the first edition, which is available as a paper monograph.)
This book is included in DOAB.
Why read this book? Have your say.
You must be logged in to comment.
Rights Information
Are you the author or publisher of this work? If so, you can claim it as yours by registering as an Unglue.it rights holder.Downloads
This work has been downloaded 259 times via unglue.it ebook links.
- 116 - pdf (CC BY-NC-ND) at OAPEN Library.
Keywords
- American literature
- American literature,
- Criticism and interpretation
- Film theory & criticism
- Film, TV & radio
- Films, cinema
- Interdisciplinary Studies
- Literary theory
- Literature & literary studies
- Literature: history & criticism
- Metaphor
- modernism
- Narratology
- Reference, information & interdisciplinary subjects
- Russian literature
- Russian literature,
- semiotic models
- Semiotics
- Semiotics / semiology
- Space and time in literature
- The arts
- thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFA Film history, theory or criticism
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
- thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTD Semiotics / semiology
- time and space in literature and philosophy
- Vision in literature
- visual studies
- Vladimir Nabokov
Links
DOI: 10.26530/OAPEN_421498Editions
