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Opera buffa und Spielkultur

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The ludic element contributes substantially to the highly entertaining quality of opera buffa. Within the field of opera research, up to now this aspect has been neglected to a large extent. However, the denomination itself of the buffa-genre usual in the 18th century – “dramma giocoso” – typifies the central role of the playful element in this opera form. On the basis of play theories derived from different disciplines – anthropology, psychology, pedagogy and philosophy – the multilayered moments of play in the opera buffa and its performance context are enucleated by analysing the repertory of Venice, the then “capital of amusement”. Thereby, the concept of play is used as an interpretive key applied to this cultural phenomenon as a whole.

Das Element des Spielerischen trägt wesentlich zum hohen Unterhaltungswert der Opera buffa bei. Dieser Aspekt ist von der Forschung bisher weitgehend vernachlässigt worden. Dabei weist schon allein die im 18. Jahrhundert übliche Gattungsbezeichnung „dramma giocoso“ auf die zentrale Rolle des Spielerischen in dieser Opernform hin. Auf der Grundlage von Spieltheorien aus unterschiedlichen Disziplinen - Anthropologie, Psychologie, Pädagogik und Philosophie - werden am Repertoire Venedigs, der damaligen „Hauptstadt des Vergnügens“, die vielschichtigen Momente des Spiels der Opera buffa und ihres Aufführungskontexts herausgearbeitet und untersucht. Der Spielbegriff dient dabei als Interpretationsschlüssel des gesamten Kulturphänomens.

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Keywords

  • 18. Jahrhundert
  • 18th century
  • Italian opera
  • Italienische Oper
  • Opera buffa
  • Play
  • play theories
  • Spiel
  • The arts
  • Theatre Studies
  • thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
  • Theorien des Spiels
  • Venedig
  • Venice

Links

DOI: 10.26530/oapen_507998

Editions

edition cover
Contributors: Ingrid Schraffl,
3 ebooks
Publisher: Böhlau
Published: 2014
ISBN: 9783205795926
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