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The book explores the relationship of movement and music in film to study the aesthetic principles of audience affect. It begins by a reconstructive analysis and theoretical reflection on the rhythmicity of films – and goes on to show the extent to which the rhythmic dimension of audiovisual images offers access to intersubjective strategies to induce affect in the movie theater.
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Keywords
- audience affect
- audiovisual composition
- audiovisual composition, empirical film analysis
- empirical film analysis
- Film music
- thema EDItEUR::A The Arts::AV Music
Links
DOI: 10.1515/9783110488319Editions
