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Affektpoetiken des New Hollywood. Suspense, Paranoia und Melancholie
Hauke Lehmann
2016
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How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings.
This book is included in DOAB.
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