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Photography is clearly not a mirror of daily life: that images are constructions is especially obvious in19th-century studio portrait photography. This book explores how indigenous Iranian photographers constructed their own realities in contrast to how foreign photographers constructed Iranians’ realities. Through an in-depth comparative visual analysis of 19th-century Iranian portrait photography and Persian painting, the author arrives at the insight that aesthetic preferences correlate with socio-cultural habits and practices in writing, reading and looking. Subsequently, she advocates for a place in a global history of photography for those unknown, local photo histories (such as the Iranian one) and for the indigenous photographers who produced them.
This book is included in DOAB.
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Keywords
- Albumen print
- History
- Iran
- KUnlatched
- Persian language
- Photography
- Photography & photographs
- Photography / Reference
- Qajar dynasty
- The arts
- thema EDItEUR::A The Arts::AJ Photography and photographs
- Western culture
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