Explore
Improvisation and Social Aesthetics
Georgina Born, Eric Lewis, Will Straw
2017
1 Ungluer has
Faved this Work
Login to Fave
Addressing a wide range of improvised art and music forms—from jazz and cinema to dance and literature—this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith.
This book is included in DOAB.
Why read this book? Have your say.
You must be logged in to comment.
publicdoename
Rights Information
Are you the author or publisher of this work? If so, you can claim it as yours by registering as an Unglue.it rights holder.Downloads
This work has been downloaded 336 times via unglue.it ebook links.
- 156 - pdf (CC BY-NC-ND) at OAPEN Library.
- 79 - pdf (CC BY-NC-ND) at Unglue.it.
Keywords
- Aesthetics
- Association for the Advancement of Creative Musicians
- improvisation
- Jazz
- KUnlatched
- Music
- Music / History & Criticism
- Social relation
- The arts
- thema EDItEUR::A The Arts::AV Music
Links
DOI: 10.1215/9780822374015Editions
