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The concept of 'worldmaking' is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance worlds': through artistic practice, discourse and media, choreographic form and dance material. The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral – an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal 'world of dance', but rather a multitude of interrelated dance worlds with more emerging every day.
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Keywords
- Arts
- body
- Choreography
- cultural theory
- Dance
- Dance & other performing arts
- gender
- Imagination
- Interculturalitity
- KUnlatched
- Media
- Music
- Performing Arts
- Performing Arts / Dance
- Psychoanalysis
- The arts
- Theatre Studies
- thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance
Links
DOI: 10.26530/oapen_627778Editions
