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Maria in Hymnus und Sequenz

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Marian hymns and sequences occupy a central place in the history of sacred song. Alongside Latin poetry, starting from the early Middle Ages, there were also vernacular translations, which adapted, modified, and transformed the image of Mary from their original models. The conference volume assembles a broad range of interdisciplinary papers that examine these processes of reformulation and appropriation.

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Keywords

  • Liturgy
  • piety
  • Poetics
  • thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art

Links

DOI: 10.1515/9783110475371

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