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Mirrors of Entrapment and Emancipation
Leila Rahimi Bahmany
2015
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Mirrors of Entrapment and Emancipation explores the rich diversity of the meanings associated with the mirror and reflection in literature by women on the basis of the works of the Persian Forugh Farrokhzad (1935-1967) and her American contemporary Sylvia Plath (1932-1963). These two poets astutely employed mirror images for the realization as well as for communication of their turbulent psycho-emotional states to their readers, thereby capturing and conveying the essence of women desperately trapped among the antithetical images of twentieth-century womanhood.
Mirrors of Entrapment and Emancipation is a translation of this work.
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Keywords
- God
- KUnlatched
- Literary Collections
- Literary Collections / Women Authors
- Literary studies: poetry & poets
- Literature
- Literature & literary studies
- Literature: history & criticism
- Metaphor
- Mirror image
- Narcissism
- Sigmund Freud
- stanza
- Sylvia Plath
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSC Literary studies: poetry and poets
Links
DOI: 10.24415/9789087282240Editions
