Feedback

X
Culture of Class

Culture of Class

0 Ungluers have Faved this Work
In an innovative cultural history of Argentine movies and radio in the decades before Peronism, Matthew B. Karush demonstrates that competition with jazz and Hollywood cinema shaped Argentina's domestic cultural production in crucial ways, as Argentine producers tried to elevate their offerings to appeal to consumers seduced by North American modernity. At the same time, the transnational marketplace encouraged these producers to compete by marketing "authentic" Argentine culture. Domestic filmmakers, radio and recording entrepreneurs, lyricists, musicians, actors, and screenwriters borrowed heavily from a rich tradition of popular melodrama. Although the resulting mass culture trafficked in conformism and consumerist titillation, it also disseminated versions of national identity that celebrated the virtue and dignity of the poor, while denigrating the wealthy as greedy and mean-spirited.

This book is included in DOAB.

Why read this book? Have your say.

You must be logged in to comment.

Rights Information

Are you the author or publisher of this work? If so, you can claim it as yours by registering as an Unglue.it rights holder.

Downloads

This work has been downloaded 542 times via unglue.it ebook links.
  1. 114 - pdf (CC BY-NC-ND) at OAPEN Library.
  2. 160 - pdf () at Unglue.it.
  3. 183 - pdf (CC BY-NC-ND) at OAPEN Library.

Keywords

  • Argentina
  • Buenos Aires
  • History
  • History / Latin America
  • History / Latin America / South America
  • Juan PerĂ³n
  • KUnlatched
  • Media culture
  • Melodrama
  • Motion pictures
  • Peronism
  • Popular culture
  • Radio broadcasting
  • Social classes
  • Working class

Links

DOI: 10.1215/9780822395331

Editions

edition cover
edition cover
edition cover

Share

Copy/paste this into your site: