Feedback

X
Simone Verovio

Simone Verovio

0 Ungluers have Faved this Work
Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice.

This book is included in DOAB.

Why read this book? Have your say.

You must be logged in to comment.

Rights Information

Are you the author or publisher of this work? If so, you can claim it as yours by registering as an Unglue.it rights holder.

Downloads

This work has been downloaded 444 times via unglue.it ebook links.
  1. 137 - pdf (CC BY-NC-ND) at OAPEN Library.
  2. 180 - pdf (CC BY-NC-ND) at Unglue.it.

Keywords

  • 16th century
  • 17th Century
  • AVGC3
  • AVGC4
  • Baroque music (c. 1600 to c. 1750)
  • Bass (voice type)
  • Cadence
  • Canzonetta
  • Classical music (c. 1750 to c. 1830)
  • European History
  • Figured bass
  • Harpsichord
  • History
  • Humanities
  • Intabulation
  • KUnlatched
  • Lute
  • Music
  • Music History
  • Musical Scores
  • Musikgeschichte
  • Partituren
  • Regional & national history
  • Rome

Links

DOI: 10.7767/9783205207184

Editions

edition cover

Share

Copy/paste this into your site: