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Mika Kaurismäki’s films challenge many boundaries – national societies, genre formations, art/popular culture, fiction/documentary, humanity/nature and problematic distinctions between different zones of development. Synthesizing concepts from a range of thematic frameworks – e.g. auteurism, eco-philosophy, genre, cartography, cineaste networks, global reception, distribution and exhibition practices, and the potential of postnationalism – this book provides an interdisciplinary reading of Kaurismäki’s cinema. The notion of ‘transvergence’ – of thinking in heterogeneous and polyphonal terms – emerges as an analytical method for exploring the power of these films. Through this, the volume encourages rethinking transnational cinema studies in relation to many oft-debated notions such as Finnish culture, European identity, cosmopolitanism and globalization.
This book is made open access as part of the Knowledge Unlatched KU Select 2017: Backlist Collection
This book is made open access as part of the Knowledge Unlatched KU Select 2017: Backlist Collection
This book is included in DOAB.
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Keywords
- auteurism
- Cinéma
- Europe
- film studies
- Film, TV & radio
- Films, cinema
- Finland
- genre
- Globalization
- KUnlatched
- Media & Communications
- mika kaurismäki
- Performing Arts / Film & Video
- The arts
- thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema
- transnational
Links
DOI: 10.2307/j.ctv9hj8rvEditions