Explore
Commercial theatre is thriving across Europe and the UK, while public theatre has suffered under changing patterns of cultural consumption—as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
This book is made open access as part of the Knowledge Unlatched KU Select 2017: Backlist Collection
This book is made open access as part of the Knowledge Unlatched KU Select 2017: Backlist Collection
This book is included in DOAB.
Why read this book? Have your say.
You must be logged in to comment.
Rights Information
Are you the author or publisher of this work? If so, you can claim it as yours by registering as an Unglue.it rights holder.Downloads
This work has been downloaded 141 times via unglue.it ebook links.
- 49 - pdf (CC BY-NC-ND) at OAPEN Library.
- 64 - pdf (CC BY-NC-ND) at Unglue.it.
Keywords
- Arts
- commercial theatre
- European theatre
- KUnlatched
- Performing Arts
- Performing Arts / Theater
- public theatre
- The arts
- theatre market
- Theatre Studies
- thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies
Links
DOI: 10.2307/j.ctv9hj78nEditions
