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Cyberpunk in a Transnational Context
Takayuki Tatsumi
2019
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Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning’s “Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality” examines how the heritage of Ridley Scott’s techno-noir film
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Keywords
- 2000s
- animation
- animatism
- audience
- Blade Runner
- bOING bOING
- Care
- cinematism
- co-productions
- collage
- Comics
- cyberpunk
- detritus
- dystopia
- end of history
- European cinema
- extraterritorial
- flattened screens
- fractal space
- genre
- Germany
- global capitalism
- Guerrilla Games
- Horizon: Zero Dawn
- Hyperart Thomasson
- HyperCard
- intertextuality
- Japanese science fiction
- Kowloon Walled City
- layers
- Lo Tek
- manga
- Marshall McLuhan
- Masaki Gor?
- Metropia
- MONDO 2000
- n/a
- Nostalgia
- nuclear politics
- outlaw technologist
- participatory aesthetics
- pattern recognition
- post-apocalyptic narrative
- post-utopia
- proscenium views
- Reception History
- Renaissance
- scan
- Science Fiction
- techno-Orientalism
- Timothy Leary
- Tobi Hirotaka
- Translation
- transnational cinema
- United States
- virtual idol
- Virtual reality
- Virtual Worlds
- visuality
- Walter Benjamin
- William gibson
- YLEM artists using science and technology
- “rich sight”
Links
DOI: 10.3390/books978-3-03921-422-8Editions
