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Art Markets and Digital Histories

Art Markets and Digital Histories

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This Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. As historical and contemporary data is rapidly becoming more available, and digital technologies are becoming integral to research in the humanities and social sciences, we sought to bring together contributions that reflect on the different strategies that art market scholars employ to navigate and negotiate digital techniques and resources. The essays in this issue cover a wide range of topics and research questions. Taken together, the essays offer a reflection on what takes to research art markets, which includes addressing difficult topics such as the nature of the research questions and the data available to us, and the conceptual aspects of art markets, in order to define and operationalize variables and to interpret visual and statistical patterns for scholarship. In our view, this discussion is enriched when also taking into account how to use shared or interoperable ontologies and vocabularies to define concepts and relationships that facilitate the use and exchange of linked (open) data for cultural heritage and historical research.

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Keywords

  • 20th century
  • academic system
  • Amsterdam
  • Antwerp
  • Archives
  • ART COLOGNE
  • art fair
  • art fairs
  • art forgery
  • art indices
  • Art Market
  • art market studies
  • art markets
  • artificial intelligence (AI)
  • artistic reputation
  • associative status networks
  • associative theory
  • auction price
  • behavioral analysis
  • big data
  • blockchain
  • copper painting
  • cryptocurrency
  • data constraints
  • Data visualization
  • dealer-critic system
  • decision-making under risk
  • deep mapping
  • digital art history
  • Digital history
  • Digital humanities
  • Digital mapping
  • digital object
  • Dutch Golden Age
  • Econometrics
  • editorial
  • Flemish Baroque
  • galleries
  • Hans Rottenhammer
  • Harrison and Cynthia White
  • informational asymmetry
  • intermediaries
  • Internet galleries
  • Jan Brueghel the Elder
  • mediation
  • Merchants
  • museum exhibition
  • Museums
  • online art market
  • online auctions
  • Painting
  • painting production
  • photo object
  • Photography
  • prestige
  • salon
  • social bubble
  • social network
  • spatial art history
  • uncertainty
  • Verband von Museums-Beamten zur Abwehr von Fälschungen und unlauterem Geschäftsgebahren

Links

DOI: 10.3390/books978-3-03921-971-1

Editions

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