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This book illustrates the problems connected with the body and the sign: the real body and the body of the text, somaticism and semiology (both as a general sign theory and in the medical sense as «symptomatology»). The author seeks to derive a more general principle from these two words, referring to the representation of experience in different literary texts. If we are talking about the representation of experience, we cannot, by any means, ignore the body that becomes the essential point of reference for human experience. This general principle aims at creating a matter of concept, a somatic criticism project, which is closely related to the issue of rhythm in literary texts - a rhythm understood as an intermediary between the body and the sense of the text.
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Keywords
- Criticism
- Critique
- Dziadek
- Indo-European languages
- Language
- Language and languages
- Language qualifiers
- Linguistics
- Literary studies: general
- Literary theory
- Literature & literary studies
- Literature: history & criticism
- philosophy of language
- phonetic anagrams
- poetic rhythm
- Poetry
- poetry and body
- project
- prosody
- Slavic (Slavonic) languages
- Somatic
- Sonnets
- thema EDItEUR::2 Language qualifiers::2A Indo-European languages::2AG Slavic (Slavonic) languages
- thema EDItEUR::C Language and Linguistics::CF Linguistics::CFA Philosophy of language
- thema EDItEUR::D Biography, Literature and Literary studies::D Biography, Literature and Literary studies::DC Poetry
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general
- visual poetry
Links
DOI: 10.3726/b14659Editions