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Good White Queers?

Good White Queers?

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How do white queer people portray our own whiteness? Can we, in the stories we tell about ourselves, face the uncomfortable fact that, while queer, we might still be racist? If we cannot, what does that say about us as potential allies in intersectional struggles? A careful analysis of Dykes To Watch Out For and Stuck Rubber Baby by queer comic icons Alison Bechdel and Howard Cruse traces the intersections of queerness and racism in the neglected medium of queer comics, while a close reading of Jaime Cortez's striking graphic novel Sexile/Sexilio offers glimpses of the complexities and difficult truths that lie beyond the limits of the white queer imaginary.

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Keywords

  • Comic
  • Comic book & cartoon art
  • Comics
  • Cultural Studies
  • ethnic studies
  • Fiction & related items
  • Fiction: special features
  • Gay & Lesbian Studies
  • gender
  • Gender Studies
  • Illustration & commercial art
  • Industrial / commercial art & design
  • Media
  • Queer theory
  • Racism
  • Sexuality
  • Short stories
  • Social groups
  • Society & culture: general
  • Society & Social Sciences
  • The arts
  • thema EDItEUR::A The Arts::AK Design, Industrial and commercial arts, illustration::AKL Illustration and commercial art::AKLC Comic book and cartoon artwork
  • thema EDItEUR::F Fiction and Related items::FY Fiction: special features::FYB Short stories
  • thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSJ LGBTQ+ Studies / topics
  • thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSL Ethnic studies
  • whiteness

Links

DOI: 10.14361/9783839449172

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