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Musical Composition in the Context of Globalization

Musical Composition in the Context of Globalization

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Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.

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Keywords

  • 20th century
  • Asia
  • China
  • Contemporary music
  • Cultural history
  • Cultural Studies
  • Entangled Histories
  • Globalization
  • Interculturalism
  • Japan
  • Korea
  • Music
  • Musicology
  • Society & culture: general
  • Society & Social Sciences
  • The arts
  • thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
  • thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
  • Theory of music & musicology
  • transnationalism

Links

DOI: 10.14361/9783839450956

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