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Music: Its Theologies and Spiritualities

Music: Its Theologies and Spiritualities

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This volume is an exploration of the varied and sometimes unrecognized ways in which music—especially in ritual contexts—can serve as both a spiritual conduit as well as a theological source. With topics ranging from a Congolese choir in Ireland to the Orthodox chant in Georgia, from postmodern reflections on new Passion compositions to reflections on the sacramentality of Black gospel music, this volume offers a rich plumbing of very diverse yet well researched musical traditions—case studies from around the globe—for their spiritual and theological contributions.

This book is included in DOAB.

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Keywords

  • 21st century music
  • Aesthetics
  • African American
  • Annunciation
  • Anton Webern
  • asylum-seeker
  • chant
  • Charismatic Prayer Meeting
  • choral music
  • Composition
  • Confessing Church
  • creativity
  • Culture
  • custom
  • Dance
  • demythologization
  • Dietrich Bonhoeffer
  • Dionysios the Areopagite
  • exegesis of tradition
  • funeral
  • Georgian chant
  • German modernism
  • gospel
  • Gustav Mahler
  • Hebrew Bible
  • History
  • Ireland
  • James MacMillan
  • Jeremy Begbie
  • Karl Barth
  • keen
  • Korean migrants
  • liminality
  • Michael Symmons Roberts
  • migration
  • Music
  • Oral tradition
  • Orthodox theology
  • Passion
  • Polyphony
  • Postmodernism
  • Praise and Worship
  • refugee
  • Ritual
  • sacramentality
  • sacred music
  • Secularization
  • Singing
  • sonority
  • Speaking/Singing in Tongues
  • spirituality
  • The arts
  • the Congo
  • the sacred
  • theoartistry
  • Theodor Adorno
  • Theology
  • Tradition
  • wake
  • wellbeing

Links

DOI: 10.3390/books978-3-03943-594-4

Editions

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