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Early Printed Music and Material Culture in Central and Western Europe
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This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.
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Keywords
- Baroque music
- early modern Europe
- early modern music
- early modern music printing
- early modern print culture
- early music printing
- European music
- history of print
- Material culture
- Materiality
- Music
- Music History
- music printing
- Musicology
- polyphonic music
- Print culture
- print studies
- Protestant Reformation
- Renaissance music
- The arts
- thema EDItEUR::A The Arts::AV Music
- Western music
Links
DOI: 10.4324/9780429342844Editions