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Jessica A. Schwartz examines the seventy-five years of Marshallese music developed in response to the United States’ nuclear weapons testing on their homeland, showing how Marshallese singing practices make heard the harmful effects of US nuclear violence.
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Keywords
- , harmony
- Australasia, Oceania & other land areas
- Decolonization
- Democracy
- Geographical Qualifiers
- indigenous
- Music
- sense/sensibility
- Songs
- The arts
- thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology
- Theory of music & musicology
- Voice
Links
DOI: 10.1215/9781478021919Editions