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Davor Konjikušić provides an in-depth presentation and contextualization of the photographs created by Yugoslav partisans between 1941 and 1945. In doing so, the author is not only interested in presenting the photographs from an aesthetic perspective, but in the history of their use and function within one of the biggest anti-fascist movements in Europe during the Second World War.
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Keywords
- Documentary photography
- European History
- History
- History of art & design styles: from c 1900 -
- History Of Art / Art & Design Styles
- Humanities
- Military History
- Photography & photographs
- Political Science & Theory
- Politics & government
- Regional & national history
- Resistance movement
- Second World War
- Society & Social Sciences
- The arts
- The arts: general issues
- thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999
- thema EDItEUR::A The Arts::AB The arts: general topics
- thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
- thema EDItEUR::A The Arts::AJ Photography and photographs
- thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPA Political science and theory
- thema EDItEUR::N History and Archaeology::NH History::NHD European history
- thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWL Modern warfare
- thema EDItEUR::N History and Archaeology::NH History::NHW Military history::NHWR Specific wars and campaigns::NHWR7 Second World War
Links
DOI: 10.1515/9783422986480Editions