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The Orientalist Semiotics of Dune

The Orientalist Semiotics of Dune

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Frank Herbert’s »Dune« (1965) is considered to be one of the most successful Science Fiction novels of the 20th century. It introduces its readers to a future universe, in which the production of the most valuable resource of the universe – ›spice‹ – is only possible on one vast desert planet called Arrakis. »Dune« offers many different motifs, including a hero that eventually turns into a superhuman being. However, the novel is also rich of orientalist semiotics and relates to a sign system existent when Herbert wrote his book. Frank Jacob discusses these semiotics in detail and shows how much of »Lawrence of Arabia« is present in the story’s plot.

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Keywords

  • Fiction & related items
  • Film, TV & radio
  • Films, cinema
  • Literary studies: fiction, novelists & prose writers
  • Literature & literary studies
  • Literature: history & criticism
  • Media Studies
  • Science Fiction
  • Society & culture: general
  • Society & Social Sciences
  • The arts

Links

DOI: 10.14631/978-3-96317-851-1

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