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To define the social interactions of a photographer and the portrayed artist as friendship is a recurring topos in art. However, only in some instances can the photographic portrait fulfill the concrete visibility represented in romantic paintings. Do the attributes of portraiture of a friend remain as unspecified as the hope for authenticity and intimacy ascribed to the term friendship?
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Keywords
- Architecture
- The arts
- thema EDItEUR::A The Arts::AM Architecture
Links
DOI: 10.5445/KSP/1000132307Editions