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This volume of VGAR critically analyzes video game art as a means of survival. Though “survival strategy” exists as a defined gaming genre, all video games—as unique, participatory artworks—model both individual and collaborative means of survival through play. Video games offer opportunities to navigate both historical and fictional conflicts, traverse landscapes devastated by climate change or nuclear holocaust, and manage the limited resources of individuals or even whole civilizations on earth and beyond. They offer players a dizzying array of dystopian scenarios in which to build and invent, cooperate with others (through other players, NPCs, or AI) to survive another day. Contributors show how video games focus attention, hone visuospatial skills, and shape cognitive control and physical reflexes and thus have the power to participate in the larger context of radical, activist artworks that challenge destructive hegemonic structures as methods of human conditioning, coping, and creating.
This book is included in DOAB.
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Keywords
- Art forms
- Art treatments & subjects
- Computer game art
- Electronic, holographic & video art
- Electronic, holographic and video art
- Individual artists, art monographs
- Non-graphic art forms
- The arts
- The arts: general issues
- thema EDItEUR::A The Arts::AB The arts: general topics
- thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts
- thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGB Individual artists, art monographs
Links
DOI: 10.3998/mpub.12471206Editions