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Religion and Art in the Renaissance
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This Special Issue focuses on intersections of religious faith and artistic production during the Renaissance. Its temporal scope is 1300-1700, or the Renaissance period, as it is broadly defined. Its geographical scope is Europe and European colonies that participated in Renaissance artistic trends or movements. The Special Issue deepens and broadens our understanding of how images impact faith and in turn faith finds expression in images. It is interdisciplinary in nature, bringing together into one volume some of the most recent work by scholars in iconography, art history and religious studies.
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Keywords
- Abraham
- Alardo de Pompa
- Allegory
- altarpiece
- Altarpieces
- Andrea della Robbia
- auto-da-fé
- Bernard of Clairvaux
- Bernat Martorell
- biblical bronze serpent
- Breastfeeding
- Catalonia
- Christ
- Christian iconography
- Colonial art
- Convent of Saint Agnes
- Corbacho
- Cristóbal de Morales
- Crown of Aragon
- crucifixion nail
- Devotional Art
- Dormition
- Early Modern and Italian Renaissance Art
- Fosmas
- Franciscan
- Goan art
- Hagar
- Heritage
- Humanities
- humility
- hybridity
- iconographic type
- Iconography
- Incarnation
- Indo-Portuguese art
- Inscriptions
- Ishmael
- Jaume Huguet
- La Verna
- last judgement
- Madonna lactans
- martyrs of Japan
- Mary Magdalene
- Master of the Třeboň Altarpiece
- Master Theodoric
- Medieval and Renaissance Art of Central Europe
- Misogyny
- musical epigraphy
- Philip IV of Spain
- Prague
- Přemyslid dynasty
- Purgatory
- Quart
- Reform of Art
- Religion & beliefs
- Saint Agnes of Bohemia
- Saint John of God
- Salve Regina
- Soul
- South India
- the banishment of Hagar and Ishmael
- the Master of Vyšši Brod
- transit
- virgin
- Virgin Mary
- Virtue
- white mensural notation
Links
DOI: 10.3390/books978-3-0365-5450-1Editions