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Motetten am Hof Maximilians II. (1527–1576)

Motetten am Hof Maximilians II. (1527–1576)

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In the present volume sacred motets composed by members of the chapel of the Archduke and later Emperor Maximilian II – among them Jacobus Vaet, Philippe de Monte and Jacob Regnart – are documented and analysed for the first time. The chapel and its repertoire cultivated at the court not only served as a means for the representation of the court but also needed to comply with the emperor’s personal artistic and religious wishes. Maximilian II officially confessed to the Roman-Catholic church but personally sympathised with the Reformation. Therefore, the analysis of the texts and music addresses also the question of how the gap between the Roman-Catholic ceremony at court and the emperor’s personal faith is reflected in motets.

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Keywords

  • Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Andere Geisteswissenschaften (605) -- Andere Geisteswissenschaften (6050) -- Kulturgeschichte (605002)
  • Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Kirchenmusik (604017)
  • Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikgeschichte (604022)
  • Ã FOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikwissenschaft (604024)
  • Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Church music (604017)
  • Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Music history (604022)
  • Ã FOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Musicology (604024)
  • Ã FOS 2012 -- HUMANITIES (6) -- Other Humanities (605) -- Other Humanities (6050) -- Cultural history (605002)

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