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Sherin Abu Chouka examines the Festivales de Oposición of the Mexican Communist Party (PCM), which between 1977 and 1981 developed into an international networking platform and a meeting place for politicized art of the Canto Nuevo Latinoamericano.
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Keywords
- actor-network theory
- Democracy
- electoral reform
- Eurocommunism
- Feminism
- international networking
- Liberation theology
- music festival
- New Folk
- New Left
- Nueva Canción Latinoamericana
- Nuevo Canto Mexicano
- parliamentarism
- PRI opposition
- Red Woodstock Festival
- reform communism
Links
DOI: 10.17169/refubium-34423Editions