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William Rimmer (1816–1879) is arguably the first modernist American sculptor, although his inventive originality has not been fully acknowledged. Rimmer cultivated an art of ideas and personal expression whilst supporting himself as a physician and, later, as a teacher of art anatomy at the Cooper Union School of Design for Women in New York.
Unlike his contemporaries, he advocated the creation of sculpture drawn entirely from the artist’s imagination, as opposed to antique archetypes or live models. In this way, he sought to reframe excellence in American art as something that must be found within, rather than derived from Europe.
In this new monograph, the meaning of Rimmer’s works is for the first time considered from a combination of perspectives, such as close visual analysis (including X-ray and infrared), historical documentation, and social context. These are enriched with discussion of the artist’s own bipolar disorder, deeply-held spiritualism, and views on gender equality—considering women just as talented as men, he used naked male models in all-female classes long before his contemporaries, and produced an allegorical sculpture of fighting lions that criticized the tyranny of men over women.
This book will be of great interest to academics, students, art museums, collectors, dealers, art historians, and members of the public with an affinity for Rimmer’s work. It will also appeal to those with a broader interest in American culture.
This book is included in DOAB.
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Keywords
- American sculptor
- Anatomy
- Art forms
- Art treatments & subjects
- Cooper Union School of Design for Women
- Cultural Studies
- History
- History of art & design styles: c 1800 to c 1900
- History Of Art / Art & Design Styles
- History: specific events & topics
- Humanities
- medicine
- modernist sculptor
- Non-graphic art forms
- Painting & paintings
- physician
- Pre-clinical medicine: basic sciences
- sculpture
- Social & cultural history
- Society & culture: general
- Society & Social Sciences
- teacher of art anatomy
- The arts
- The arts: general issues
- thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899
- thema EDItEUR::A The Arts::AB The arts: general topics::ABA Theory of art
- thema EDItEUR::A The Arts::AF The Arts: art forms::AFC Paintings and painting
- thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKB Sculpture
- thema EDItEUR::A The Arts::AG The Arts: treatments and subjects
- thema EDItEUR::A The Arts::AG The Arts: treatments and subjects::AGA History of art
- thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies
- thema EDItEUR::M Medicine and Nursing::MF Pre-clinical medicine: basic sciences::MFC Anatomy
- thema EDItEUR::N History and Archaeology::NH History::NHT History: specific events and topics::NHTB Social and cultural history
- Theory of Art
- William Rimmer
Links
DOI: 10.11647/OBP.0304Editions