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Mapping the Sensible
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Mapping figures in cinema as an experiential process inscribed within historically specific aesthetic regimes. The three long essays in this book explore mapping as a process of violent inscription on colonial landscapes (Malcomess) a practice of colonial racialisation through what Rancière terms a ‘distribution of the sensible’ (Carter) and a mode of culturally and historically located cinematic thinking (Rositzka).
This book is included in DOAB.
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