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This study develops the theory that the practice of retelling reflected in the poetologies of German chivalric romance (12th and 13th cent.) must be understood not just as artificial poiesis but also as a practice of imitation and dispute. It describes these two dimensions conceptually using the concepts of artificiality and agon.
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Keywords
- agon
- Artificiality
- Literary studies: classical, early & medieval
- Literary studies: fiction, novelists & prose writers
- Literary studies: general
- Literary theory
- Literature & literary studies
- Literature: history & criticism
- Poetology
- retelling
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSA Literary theory
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general::DSBB Literary studies: ancient, classical and medieval
- thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSK Literary studies: fiction, novelists and prose writers
Links
DOI: 10.1515/9783110719956Editions