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Das „friedliche Atom“ als Narrativ in Politik, Wissenschaft und Design

Das „friedliche Atom“ als Narrativ in Politik, Wissenschaft und Design

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The work deals with the iconography of the atom from the euphoria about nuclear technology of the 1950s to the anti-nuclear movement of the 1970s in the Federal Republic of Germany. Using the life and work of the German architect and graphic designer Rolf Lederbogen as an example, the socio-political dimension of nuclear technology in communication and visualisation of the narrative "Atoms for Peace" is put in context with the history of technical thinking in architecture and design.

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Keywords

  • Architecture
  • Atombilder
  • atomic culture
  • Nachkriegsmoderne
  • nuclear images
  • post-war modernism
  • Strategien des Sichtbarmachens
  • strategies of visualisation
  • Technikästhetik
  • The arts
  • thema EDItEUR::A The Arts::AM Architecture
  • „Atoms for Peace“
  • „friedliches Atom“

Links

DOI: 10.5445/KSP/1000151106

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